A rural gentleman’s peaceful life takes a turn for the worse when a couple from Tokyo move to his neck of the woods.
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While searching for their estranged mother, two beautiful sisters, Dagmar and Ursula, arrive at a luxurious seaside hotel. At the same time, a mysterious killer starts murdering promiscuous women in the area.
Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas for the first time with Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory. The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson. Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.
Two brothers attempt to drive a trunk full of stolen opioids from Florida to Alaska to cash-in big in the Land of Gold. A split-second act of violence somewhere in the California desert derails their trip and sets them on a crash course with tragedy.
Overwhelmed by his pending divorce and the declining health of his father, Peter plans a getaway to Tulum, insistent he knows nothing of his sons’ plans to be there at the same time for a bachelor party.
Young student finds himself being transformed to a vampire after a night with a quite attractive female vampire. First, he does not quite believe it himself, but with the help of a 300 year old teacher and the handbook “vampirism – a guide to an alternative lifestyle”, he finds out that blood does not taste as bad as he expected.
The Yau’s brothers are a trio of scammers who make punishing baddies their mission. A misunderstanding leads them to fellow con artists the Lui’s sisters, and they join hands to scam a notorious mob boss. Through a myriad of ingenious tricks and disguises, they bring the mobster to justice as romance blossoms swiftly—all’s well that ends well.
In order to flee from powerful enemies, young Mayan king Balam leads his people north across the Gulf of Mexico to the coast of what will become the United States. They build a home in the new land but come into conflict with a tribe of Native Americans led by their chief, Black Eagle, while both Balam and Black Eagle fall in love the beautiful Mayan princess Ixchel.
After their space ship is damaged in an asteroid field , 10-year-old Willy is separated from his explorer parents and finds himself alone on a dusty planet with only a cute robot for company in this fun animated adventure. Packed with neat little touches, from a space toothbrush that converts into a knife and a flamethrower, to a cuddly orange alien that bears a resemblance to How To Train Your Dragon’s Toothless, the movie (known as Terra Willy in its native France) follows Willy as he learns to adapt to his new surroundings and the planet’s quirky (and occasionally dangerous) inhabitants. Nicely animated with a sweet story at its heart, this junior space adventure with a really likeable lead character is well worth seeking out.
Confined to an asylum for the criminally insane for the past four years, Nica Pierce is erroneously convinced that she, not Chucky, murdered her entire family. But when her psychiatrist introduces a new therapeutic “tool” to facilitate his patients’ group sessions — an all-too-familiar “Good Guy” doll with an innocently smiling face — a string of grisly deaths begins to plague the asylum, and Nica starts to wonder if maybe she isn’t crazy after all. Meanwhile, Andy Barclay, Chucky’s now all-grown-up nemesis from the first three Child’s Plays, races to Nica’s aid. But to save her he’ll have to get past Tiffany, Chucky’s long-ago bride, who will do anything, no matter how deadly or depraved, to help her beloved evil devilish doll.
James gives himself 12 months before he has ‘a license to kill himself’, he sets off to the amazon rainforest with hopes of finding a shaman who can save his life.