Since the early days, Jerry Lewis – in the line of Chaplin, Keaton and Laurel – had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was far more than just a clown. He was also a groundbreaking filmmaker whose unquenchable curiosity led him to write, produce, stage and direct many of the films he appeared in, resulting in such adored classics as The Bellboy, The Ladies Man, The Errand Boy, and The Nutty Professor.
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Young, up-and-coming photographer, Lana, begrudgingly attends the party of a pretentious and cool gallery owner in the hopes of meeting a respected dealer who may hold the key to her success. Quickly finds that the attendees of the party are more style than substance and her friend, the host, isn’t at all what she seems.
A German woman in New York is busy redesigning her life from model to designer, but is forced to live with her husband’s ex-wife when he disappears.
Molly Gallant (Molly McCook)–a Los Angeles-based marketing-executive on top of the world–returns to her mother’s home town of Peppermint Hollow after her plans to launch a business are derailed by circumstance.
After witnessing her Daddy’s tragic death in the ring Charlie sets out to become a wrestler in his memory. The only things stopping her are a disapproving boyfriend, an overwhelming day job, and her corporate psycho boss – whose dodgy business practices threaten to unleash hordes of brain eating wrestling-monsters on the earth! Faced with a wrestle-pocalypse Charlie has no choice but to open up a can of whoop-ass and take these monstrous Jabronis for a stroll down smack down boulevard! From the director of the international cult film MURDERDROME comes FROM PARTS UNKNOWN: FIGHT LIKE A GIRL. The story of a young girl wrestling with life’s issues – and some brain eating wrestle-monsters.
In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
With his directorial debut actor Chen Jianbin walks in the footsteps of A Touch of Sin, No Man’s Land, and Black Coal, Thin Ice and offers a hard-edged mainland noir where kindness and cruelty, madness and reason, greed and humanity all struggle for dominance and the fool might not be who you think . The hook here is Chen’s amazing performance as the simple, slightly crude Latioazi, a goat farmer who has a son in jail. When a young mentally handicapped man follows him home one day and enters his life, it sets off a blaze and a chain of events follows, which bares China’s class divide raw. His random act of reluctant kindness invites a parade of strangers and grifters all intent on draining Latioazi of what little he has.
Written and directed by Windsor’s own Mike Stasko, Boys vs. Girls is loosely based on his experiences at a summer camp during the 90s. When camps around the country were shutting down every year and Camp Kitchikewana made the economically necessary move to turn co-ed, the result was a very real clash of the sexes. In the summer of 1990, the film sees Camp Kindlewood forced to go co-ed for the first time in its seventy-year existence. Camp Director Roger (Colin Mochrie) tries to keep the camp off the corporate chopping block, but after an awkward encounter between head counsellors Dale (Eric Osborne) and Amber (Rachel Dagenais), all bets are off. Rallying their sides in an attempt to win back their camp and gain dominance over what they feel is rightfully theirs, this battle of the sexes sets off a series of pranks, fueled by camp caretaker Coffee (Kevin McDonald), as the boys and girls fight for their summertime home.
Nychos is an illustrator, Urban Art- and Graffiti artist who became known with his street concept RABBIT EYE MOVEMENT (REM) 10 years ago. The icon of the movement is a white rabbit, which has been breeding since then and has been popping up in the streets all over the globe for the past decade. This is exactly what Nychos thrives for – he travels the world to spread his art and his REM concept. Within the last two years Nychos was accompanied by filmmaker Christian Fischer who recorded these journeys to create a full lenght movie. ”The Deepest Depths Of The Burrow” is a documentary about art, lifestyle and subculture.
Through a series of unfortunate events, three mummies end up in present-day London and embark on a wacky and hilarious journey in search of an old ring belonging to the Royal Family, stolen by ambitious archaeologist Lord Carnaby.
Jessie deals with a bad breakup, by purchasing a sheet of acid to share with his friends back home in Missouri. He hopes this will erase the bad memory of his college girlfriend, delivering the heartbreaking news to him, during sex. Departing New Orleans, Jessie detours onto Route 61, seeking a change of routine from the monotony of the Interstate. Unexpectedly, his engine fails at a forgotten trailer park in Cleveland, Mississippi. Fearful he’s about to be harmed by bikers, Jessie exchanges hits of L.S.D. for safe passage home. During the ebb and flow of the day, Jessie experiences the extraordinary in the pedestrian, whilst resurrecting the lives of many. Inspired by a true misadventure.
After a girl goes missing, two of her friends and a mysterious set of strangers find themselves drawn to the cabin in the woods where she disappeared. They will laugh, they will drink, they will kiss, they will make love, and THEY MUST ALL DIE.
