A long lost music producer finds a singer-songwriter right about the moment he has given up all hope on life.
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Fiona visits Paris for the first time to assist her myopic Aunt Martha. Catastrophes ensue, mainly involving Dom, a homeless man who has yet to have an emotion or thought he was afraid of expressing.
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David Byrne is a visual artist as well as a musician, and ever since his early days as a member of Talking Heads, he’s wanted his concerts to be more than just a static performance. In 1984, Byrne and filmmaker Jonathan Demme redefined the boundaries of the concert film with the Talking Heads documentary STOP MAKING SENSE, and more than 25 years later Byrne has teamed up with David Hillman to create RIDE, RISE, ROAR, which documents Byrne’s 2008-2009 concert tour, in which he performs new material written in collaboration with Brian Eno as well as favorites from his solo career as well as his tenure in Talking Heads. Using costumes and inventive choreography, Byrne and his musicians and dancers give his music a stage presentation as exciting as the music.
At a time when nations are warring, a sword with mysterious power called “Heaven’s Sword” is stolen. The sword is said to give its wielder the power to conquer the world. Various ninja all over Dokutake Castle and beyond also manuevering for this sword of immense power. Rantaro and his classmates are assigned to retrieve the stolen sword, their first real ninja mission.
A woman moves into an apartment in Manhattan and learns that the previous tenant’s life ended mysteriously after they fell from the balcony.
As Garibaldi’s troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life. Proud but pragmatic Prince Don Fabrizio Salina allows his war hero nephew, Tancredi, to marry Angelica, the beautiful daughter of gauche, bourgeois Don Calogero, in order to maintain the family’s accustomed level of comfort and political clout.
After escaping from a sex trafficking ring, one teenage girl struggles to reconnect with herself and her family. To rescue her helpless friends, she must confront her own fears and help lead the police to her traffickers – at all costs.
Arguello couples her larger-than-life stage presence with her brutally honest take on post-pandemic hook ups and why broke men are better in bed, an exploration of how “Beauty and the Beast” triggered an epiphany, and a self-reflection on her middle school D.A.R.E. essay.
Max is hitting puberty, and foxy Ofelia from class has touched his heart. He now plans to spend Christmas break with her or, at the very least, New Year’s Eve. Watching her little boy grow up, his mother Agnete doesn’t know what leg to stand on. Trying to give Max the best Christmas possible, she makes a mess of things, as usual. With his friends, Hassan and Ester, Max eventually tamps down the chaos and throws a super New Year’s Eve bash. Everyone is there, and Ester seizes the moment to hook up with Max ahead of Ofelia.
Elli is an android and lives with a man she calls her father. Together they drift through the summer. During the day they swim in the pool and at night he takes her to bed. She shares his memories and anything else he programs her to recall. Memories that mean everything to him but nothing to her. Yet, one night she sets off into the woods following a fading echo… The story of a machine and the ghosts we all carry within us.
