A couple on a road trip through America encounter a terrifying dark force older than the country itself. An evil that transforms loved ones into someone terrifying, the entity has left a trail of murdered families going back hundreds of years.
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Set in postwar Vienna, Austria, “The Third Man” stars Joseph Cotten as Holly Martins, a writer of pulp Westerns, who arrives penniless as a guest of his childhood chum Harry Lime, only to find him dead. Martins develops a conspiracy theory after learning of a “third man” present at the time of Harry’s death, running into interference from British officer Maj. Calloway and falling head-over-heels for Harry’s grief-stricken lover, Anna.
Three friends reconnect in a secluded mountain town after a long quarantine. While out for a hike, the trio stumble upon something dark and terrible in the deep woods.
Two kids play a game with their sadistic older cousin and awaken a cruel entity knows as “The Skarrow.”
Grey is an office worker with a bit of a shopping addiction. One day, just after being fired, she comes across a gorgeous pair of shoes that she couldn‘t possibly afford. Before she fully understood what she was doing, she‘s stolen the shoes, and in a desperate bid to escape, she climbs into a truck. As fate would have it, the truck is also a stolen good, and the person who stole it is none other than the person currently driving it, small-time crook Shrek.
Mushi are beings in touch with the essence of life, far more basic and pure than normal living things. Most humans are incapable of perceiving Mushi and are oblivious to their existence, but there are a few who possess the ability to see and interact with Mushi. One such person is Ginko who travels from place to place to research Mushi and aid people suffering from problems caused by them.
Bold and unsentimental in its portrait of a young man who faces the destruction of the family he struggles to support, Shuttle Life (Fen Bei Ren Sheng) marks a finely crafted feature debut for short-film director Tang Seng Kiat, focusing the spotlight on Malaysian cinema after a very long time in the dark. This hard-hitting social drama features naturalistic performances from pop singer and actor Jack Tan in the main role and Taiwanese actress-director Sylvia Chang as his mentally unstable mother
Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.
After a nasty break-up, Faith needs a new roommate to supplement the rent and finds that something very strange is going on with the tenant who decides to move in.
One Christmas Eve three people, a middle-aged alcoholic named Gin, a former drag queen Hana and a dependent runaway girl Miyuki, discover an abandoned newborn while looking through the garbage.
A troubled teenager attempts to conquer the girl he’s in love with, who seems out of reach. He’s lured into criminal activities and becomes alienated from family and friends.
