Three sisters have spent years bracing themselves for the pivotal moment that opens this film: the final verdict in their trial against their cousin, their childhood sexual abuser. From there, the story returns to their memories of growing up in a large and insular Punjabi-Canadian family in the small mill town of Williams Lake, British Columbia. With unflinching candour, the sisters discuss their family’s dark secrets and expose a toxic family culture that relied on female subservience and obedience. These roles, they acknowledge, have deeper roots and have in part been reinforced by the Bollywood films that have structured their fantasies of romantic relationships. While the film tells a difficult and confrontational story of abuse, it is also a celebration of the loving sisterhood that allows these women to demand justice for the wrongs of their childhood years.
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Ai Weiwei is known for many things – great architecture, subversive in-your-face art, and political activism. He has also called for greater transparency on the part of the Chinese state. Director Alison Klayman chronicles the complexities of Ai’s life for three years, beginning with his rise to public prominence via blog and Twitter after he questioned the deaths of more than 5,000 students in the 2008 Sichuan earthquake. The record continues through his widely publicized arrest in Beijing in April of 2011. As Ai prepares various works of art for major international exhibitions, his activism heats up, and his run-ins with China’s authorities become more and more frequent.
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In unusual circumstances, scientists from different countries work together to achieve a common scientific goal. Locked in their spinning space lab, they are isolated from the world — family and friends – and can only watch from the outside as life on Earth continues without them. The space station is a monument not only to the weaknesses of humanity, but also to its ability to do the impossible for the sake of life in space.
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