In Old California, a young Frenchman transporting a chest full of silver travels by stagecoach to San Marino, to complete a complex business deal. The stagecoach is ambushed by a band of men whose leader, a mysterious bandido known as Cisco (Gilbert Roland), claims the silver is money that was extorted over a period of years from the poor people of California. The bandits take the money and escape, but Cisco stays behind with the Frenchman — who, it turns out, is actually a lovely mademoiselle, Jeanne DuBois (Ramsay Ames). She follows him to the bandit’s lair, where Cisco tells her he intends to return the stolen money to the poor people. The two rivals are irresistibly drawn to each other, however, and as a token of love Cisco offers to return the money to Jeanne instead. Now she must decide whether to complete her business deal, or to comply with Cisco’s wishes and redistribute the wealth.
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Cool, cultured John Gant rides into Lordsburg. Gant is a professional killer, and although no one knows who he is there to kill, they are all worried. Everyone has enemies, and maybe Gant is in town for them. While they wait for him to make his move, paranoia starts taking over… Written by Ken Yousten John Gant, hired assassin rides into town. No one is sure of the identity of his intended victim. Townsfolk have shady pasts that make each one believe that John Gant is there to kill them. While each townsperson is falling apart from guilt, Gant is waiting in the hotel but is still given the blame for the shootings and the suicide of the Banker. Written by Carol Johnson
Based on the real events of The Donner Party tragedy. The Donner Party was a group of California-bound American settlers caught up in the western expansion of the 1840s. After becoming snowbound in the Sierra Nevada during the winter of 1846-1847, a number of the trapped settlers joined together in a final effort to reach California and organize a rescue party.
A stranger stumbles into the desert town of Absolution with no memory of his past and a futuristic shackle around his wrist. With the help of mysterious beauty Ella and the iron-fisted Colonel Dolarhyde, he finds himself leading an unlikely posse of cowboys, outlaws, and Apache warriors against a common enemy from beyond this world in an epic showdown for survival.
Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.
In this strange western version of JAWS, Wild Bill Hickok hunts a white buffalo he has seen in a dream. Hickok moves through a variety of uniquely authentic western locations – dim, filthy, makeshift taverns; freezing, slaughterhouse-like frontier towns and beautifully desolate high country – before improbably teaming up with a young Crazy Horse to pursue the creature.
In nineteenth century Oklahoma, two teen girls, fans of stories about outlaws, are on a quest to meet and join up with them. They find a shadow of a former gang and although disappointed, still try to help them escape from a vigorous Marshal.
A comprehensive look at the events leading up to the Battle of the Little Bighorn as well as the myths and legends it spawned, and its impact on history.
