The origin story of one of Italy’s greatest rock stars, Gianna Nannini, who chased her dream despite obstacles from her family and the music industry.
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Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim’s supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music’s the thing.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
Terror reigns when Mimi, the son of a deported Don, along with his associate Jolly Rizzo wage a bloody war for control of the West Coast underworld, battling hordes of hard-boiled mobsters and deadly black pimps on their rise to the top!
Maggie and Jimmy have never met, but they keep showing up in each other’s dreams. As they navigate memories, traumas, hopes and desires in sleep and the waking world, they’ll discover the truth of their linked destiny with the help of a dream detective, a sleep scientist and the poet Walt Whitman himself.
Birch, a young man living in the Catskill Mountains, reunites with his childhood friend from the city, Andrew.
A bittersweet coming-of-age film based on a novel dealing with forestry. Yuki Hirano wants to live an easy life, like working a part-time job after his high school graduation. But, after his high school graduation, Yuki hears from his homeroom teacher that he has been hired for a job. When Yuki gets home, his mother is packing his stuff. Yuki’s mother and his homeroom teacher decided that Yuki will work as a forestry trainee after his graduation. Yuki will have to go Kamusari Village. Since then, Yuki begins to work as a forestry trainee and becomes assimilated with the beauty of nature and the warm-hearted people in the village.
Jin Ying is currently experiencing two of life’s most depressing moments: She is jilted by her fiancé, and her loving grandmother passes away. Heartbroken, she decides to visit the European city of Prague, and hopes to use the time to heal her inner pain. While in Prague, she meets a young Chinese man named Punk. There, she slowly unravels a secret romance her grandmother once experienced long ago.
Four erotic tales from in various historical eras. The first, ‘The Tide’, is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. ‘Therese Philosophe’ is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. ‘Erzsebet Bathory’ is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while ‘Lucrezia Borgia’ concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.
As he eases into adulthood at the age of forty, Conrad Valmont, the over-educated, under-employed heir to the Valmont Hotel fortune, is cut off from his allowance following his parents abrupt divorce and tossed out into the unforgiving streets of the Upper West Side. Luckily, he is taken in by his old friend Dylan, and returns the favor by immediately falling for Dylan’s girlfriend Beatrice. As Conrad attempts to woo Beatrice while keeping both their relationship and his bank balance secret, Dylan tries to set him up with Jocelyn. Ever committed to the charade that he eventually finds difficult to maintain, Conrad quickly realizes his charm can only extend so far into debt. Now deep into an extensional reflection, will it take losing everything to make Conrad realize what he can truly become?
1930s Korea, in the period of Japanese occupation, a new girl (Sookee) is hired as a handmaiden to a Japanese heiress (Hideko) who lives a secluded life on a large countryside estate with her domineering Uncle (Kouzuki). But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.
