BEAUTIFUL NOISE is an in-depth exploration of a music movement in the late twentieth century, a fascinating period when some innovative musicians mixed guitar noise into conventional pop song structures while maintaining a philosophy of letting the music speak for itself. Although many of the people interviewed are notoriously press shy they have opened up about their music and experiences from over 20 years ago, how they defied the rules and became sonic innovators that have inspired so many.
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10 years before the debut of the Ultimate Fighting Championship. In 1979, Bill Viola and Frank Caliguri dreamed up a contest pitting barroom bigmouths against wrestlers, martial artists, boxers, bouncers and brawlers, billed as no-holds-barred new type of competitive fighting. When the fights succeeded beyond their wildest expectations, they were swept up in a chain of events that ended in the first mixed-martial arts ban in the nation. “Tough Guys” chronicles the inception of Caliguri and Viola’s first bouts and the colorful, crazy cast of fighters who made them a hit as well as the politicians who brought it all crashing down. The film brings to life a moment when the national martial arts craze was building to a crescendo as the economies of Pennsylvania steel towns were plummeting to levels of unemployment never seen, breeding desperate men looking for a chance to prove their worth and make some money in the ring.
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The Boy Band Con: The Lou Pearlman Story charts the life and crimes of boy band impresario Lou Pearlman. The film tracks his life from discovering NSYNC and Backstreet Boys, to his perpetration of one of the largest ponzi schemes in US history.
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It was hardly predictable when the boy from the Brooklyn projects became the world’s first billionaire hip-hop star, Jay-Z. He turned his pain into passion and used the suffering to influence the words and lyrics in his music.
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Examining the violent death of the filmmaker’s brother and the judicial system that allowed his killer to go free, this documentary interrogates murderous fear and racialized perception, and re-imagines the wreckage in catastrophe’s wake, challenging us to change.
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