Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup’s mind.
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An NYPD Detective is shot by one of his own, benevolent brothers in uniform. Communities are ignited – to march for justice. Gangs put their differences aside – for a united fight, an equal opportunity. “That people not be judged by the color of their skin but for the content of their character.” The movement and unity impacts City society and leads to a Blue Wall intervention within the Police force. White cops lust for change and act on it – by flushing out racism. Not an easy fight. In the end, what was considered impossible, became possible.
As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.
Behind the facade of a beautiful urban home, a combination of complacency and bad investments has left power couple Ben and Gail disconnected, resentful and just about broke. When the cash-strapped yuppies fire their teen-aged daughter’s lesbian Mexican nanny, Margarita, they set off a chain of events that lead to her deportation.
A young boy named Dallas, who goes on a search for his pool-hustling father after he abandons their family. Dallas is determined to bring his father home when he meets Joe Haley, a drifter wrestling with a past he’d rather forget, who feels responsible for Dallas’ safety and reluctantly takes him in.
Winter, 1843. A young woman is under investigation following the mysterious death of her family’s matriarch. Her recollection of the events sheds new light on the ageless forces behind the tragedy.
Housewife and mother Penny Chenery agrees to take over her ailing father’s Virginia-based Meadow Stables, despite her lack of horse-racing knowledge. Against all odds, Chenery – with the help of veteran trainer Lucien Laurin – manages to navigate the male-dominated business, ultimately fostering the first Triple Crown winner in 25 years.
In a society grappling with its communist past and European present, both the cultural elite and disenfranchised young men see forces of darkness descending over Europe. And then there are those who benefit from the inevitable clashes and ensuing chaos, like disgraced law student Tomek (Maciej Musiałowski) who’s desperately trying to get the attention of childhood friend Gabi (Vanessa Alexander) and the respect of her progressive family. Taking a job at a high-profile but amoral PR company to impress Gabi, Tomek soon finds that he excels at the dirty political games that he is asked to orchestrate on social media. But there’s a human price to his meddling. As Tomek gets sucked in deeper, his humanity slowly drains away, and it becomes less clear what the end game is.
Plagued by a series of apocalyptic visions, a young husband and father questions whether to shelter his family from a coming storm, or from himself.
On a television show billed as “the greatest fight show on Earth,” eager amateurs with lots to prove boldly step into the ring and expect to leave bloody but victorious. The ratings hungry producers seek out “legendary” but largely forgotten streetfighters and mine their desperation for recaptured glory and redemption into ratings gold.
A Yenish boy is placed in a mental hospital and experiences the Nazi euthanasia program. Aware of what was happening and attached to friends, the lad attempts to sabotage the program. The film addresses the complexities of the program director, the lives of the child victims, and the struggles of the child protagonist. More than five thousand children died in the Nazi euthanasia program.
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.