A curse transforms a handsome and arrogant young man into everything he detests in this contemporary retelling of Beauty and the Beast. Wealthy Kyle Kingson has everything a teenager could want in life, but he still gets off on humiliating the weaker and less attractive. When Kyle invites his misfit classmate Kendra to an environmental rally at their school, she questions his motivations but reluctantly accepts. Later, Kyle blows Kendra off, prompting the spurned goth girl to cast a dark spell on the swaggering egotist.
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After a car crash sends repressed cartoonist Stu Miley (Fraser) into a coma, he and the mischievous Monkeybone, his hilariously horny alter-ego, wake up in a wacked-out waystation for lost souls. When Monkeybone takes over Stu’s body and escapes to wreak havoc on the real world, Stu has to find a way to stop him before his sister pulls the plug on reality forever!
A hero policeman shunted to a punishment posting as the Dean of the police academy decides to punish the corrupt bureaucracy and its criminal allies in return by training five lethal assassin policemen.
In a small town, high-school dean Alana and her vivacious teenage daughter Samantha plan a holiday concert to save the school with the help of the new maintenance man, Army veteran Johnny, and his quiet son Max. But when a car accident lands Sam in a life-threatening condition, Alana turns to Johnny for support, and Max makes a desperate decision that will forever bond their families together. All four must question their values about sacrifice, family, and love – and what it means to be thankful for another Christmas.
A female director decides to make a autobiographical film on her love life and we see it through the use of flashbacks and brilliant intercutting.
A recently divorced mother allows her troubled daughter to attend prom, but what was supposed to be the best night of their lives turns into a twisted cat and mouse game when the daughter and her friends are taken hostage by their limousine driver.
Norman Reedus stars as Harry Odum, a henpecked, 18-year-old momma’s boy in Youngstown, Ohio, who — with his violent temper — impresses a local boss of the Jewish Mafia. Soon he’s found his calling as a hit man alongside his crack addict partner Arnie Finklestein (Adrien Brody), and he discovers that his rage and complicated psychosis fuel his murderous abilities. Harry also falls for the organization’s limping, Hungarian-born maid Iris (Elina Lowensohn), a romance complicated by Harry’s Oedipal, sexual relationship with his domineering mother Kate (Deborah Harry).
An American filmmaker travels to modern day Berlin to make a film based on a real-life incident from 1942 in which 13 Jewish prisoners from a concentration camp were promised freedom if they appeared in a German propaganda film. Unfortunately, the Germans lied. The psychological process undergone by the modern filmmaker while shooting the story provides the basis of this arty and challenging film.
We’ll Never Have Paris is a clumsy and at once human account of screwing up on a transcontinental level in a noble effort to win back “the one.”
Unable to find personal fulfillment: Ericson, a young-adult on the horizon of his thirties, dives head-first into an existential spiral of artistic indulgence as he attempts to co-opt his friends into making a movie with him.
Tim and Lee are married with a young child. The chance to stay at a fancy home in the Hollywood Hills is complicated by Tim’s discovery of a bone and a rusty old gun in the yard. Tim is excited by the idea of a mystery, but Lee doesn’t want him to dig any further, preferring that he focus on the family taxes, which he promised to do weeks ago. This disagreement sends them on separate and unexpected adventures over the course of a weekend, as Tim and his friends seek clues to the mystery while Lee searches for answers to the bigger questions of marriage and parenthood.
