Twelve-year-old Beans is on the edge: torn between innocent childhood and reckless adolescence; forced to grow up fast and become the tough Mohawk warrior she needs to be during the Oka Crisis, the turbulent Indigenous uprising that tore Quebec and Canada apart for 78 tense days in the summer of 1990.
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The story of East London’s exciting drag scene with touching personal stories at its’ heart. Individuals questioning their friendships, family and personal ambitions whilst dressing up to shock the world.
The middle-aged titular heroine (Masiero) of this bare-bones, Dardenne-esque debut has certainly fallen on hard times: Living between her car and a storage shed, working a part-time job as a hotel chambermaid, and trying against all odds to obtain public housing, Louise scrapes by on a day-to-day subsistence that’s only a few Euros away from skid row.
The story revolves around 22-year-old Laure, who is trying to find her feet. After performing brilliantly in her literature studies, she enrols as a communications officer in the Naval Fusiliers. She will quickly have to adapt to and assimilate the rules that apply within the institution. But Laure is a determined woman, and she has a thirst for knowledge – still. A thirst to learn to get to know and be comfortable with herself, and to find her place.
After ten years, Sheldon returns from New York City to Paris, Georgia. His mother Evelyn, a laundress who is stubborn, ornery, opinionated, mean-spirited, insulting, and inflexible, has sent a ten-year-old boy who says he’s Sheldon’s son up to see Sheldon. Sheldon comes home to straighten things out. Old arguments flare up – between mother and son and between brothers. Sheldon wants no part of fatherhood or family. Then, someone else from New York shows up at Evelyn’s door, bringing a new set of challenges. Will this family ever stop airing its dirty laundry? And what of Sheldon: where is his pride? Can he, in the words of James Baldwin, go where his blood beats and live the life he has?
Maurice, a reticent young homeless man, somehow manages to get by in Brooklyn; he spends his nights in parked cars until he finds himself at Bizarre, an underground club renowned for its burlesque shows. Maurice is fascinated by the club’s playful revues celebrating self-determined sexuality and creative otherness, and the two female club owners both adore him. He soon becomes a part of their self-selected family, and begins to bond with introverted Luka. But Maurice turns his back on Luka’s growing affection. Running away from his true emotions he drifts aimlessly through the city. He tries to find his feet at a boxing club, where he meets Charlie. Unable to withstand the pressure of his repressed feelings, Maurice unleashes a mounting foment of emotions, pervaded by tenderness and menace.
After a hunting expedition goes awry, a young caveman struggles against the elements to find his way home.
When high-flying tech entrepreneur Carson Griffin believes himself guilty of killing a pedestrian while driving drunk, guilt and paranoia begin to unravel his life ahead of the launch of his new company as he plays a dangerous game of cat and mouse with June, the girlfriend of the deceased who is hell-bent on proving he is responsible.
Adapted from the bestselling novel by Madeleine St John, Ladies in Black is an alluring and tender-hearted comedy drama about the lives of a group of department store employees in 1959 Sydney.
A hack screenwriter writes a screenplay for a former silent-film star who has faded into Hollywood obscurity.
When Janet Turner comes to believe God has given her the power to heal, her two grown children wrestle with how to react.
As an epidemic of a lethal airborne virus – that kills within days – rapidly grows, the worldwide medical community races to find a cure and control the panic that spreads faster than the virus itself.