David Portnoy, a 15-year-old birding fanatic, thinks that he’s made the discovery of a lifetime. So, on the eve of his father’s remarriage, he escapes on an epic road trip with his best friends to solidify their place in birding history.

Political and personal intrigues surround a group of characters in Malaya, after the close of the Second World War.

Having moved to Paris for university, Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house so it can be sold. Tareq, a recent asylum seeker from Syria, has been hired to help with the work, and when Leevi’s father has to return to town on business, the two young men establish a connection and embark on a romance set against the idyllic Finnish summer. However, looming over this chance encounter, is the father’s imminent return to the lake house, the continuation of Leevi’s studies abroad as well as Tareq’s complex relationship with his family in Syria.

The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.

Fear, anger, sadness, joy, disgust, envy, shame. Adaś Miauczyński goes back to his childhood days when, like most of us, he used to find it problematic to name the emotions that accompanied him. To improve the quality of his adult life, he decides to return to that time – which proves not so carefree after all – to learn how to experience the seven basic emotions. This extremely unpredictable journey into the past features an abundance of hilarious, even comical, situations but is also filled with lots of touching moments and food for thought.

Avalon is the third in Levinson’s semi-autobiographical series of four “Baltimore Films”: Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life.

Natalie, a gifted New York photographer, has a troubled past reflected in her art. When she struggles to make ends meet in the city, her agent, arranges an assignment in Boston for a considerable sum of money. Unable to turn it down in her dire straits, Natalie takes the job — only to find that her estranged gay brother, Roy, is the employer. Roy wants to mend their broken past, but must convince her to stay long enough to do so.

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In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to attempt to take a fortified farmhouse, as tension and casualties mount.

A wounded criminal and his dying partner take refuge at a beachfront castle. The owners of the castle, a meek Englishman and his willful French wife, are initially the unwilling hosts to the criminals. Quickly, however, the relationships between the criminal, the wife, and the Englishman begin to shift in humorous and bizarre fashion.

It has been two years since unsuccessful cartoonist Tsube started to live with Kuniko casually in a small apartment.

The decision to enter an unlocked home triggers an irreversible chain of events for Robin and Chris, catapulting them into an alternate reality where they are not as alone as they think.