A dance-drama film that follows a single father and his witty, wise-beyond-her-years daughter. When his daughter’s dream of performing in the country’s biggest dance reality show collides with a life-altering crisis, the father is driven to do the unthinkable, showcasing the extraordinary lengths he will go to fulfill her wishes and find happiness.
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Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called “Pleasantville,” and find a world where everything is peachy keen all the time. But when Jennifer’s modern attitude disrupts Pleasantville’s peaceful but boring routine, she literally brings color into its life.
Fate plays a vital role in connecting the life of Bantu, a son who seeks validation from his cold-hearted father with the life of Raj, whose millionaire father wishes that he was more assertive.
George, a scientist living in Rotterdam is growing wary of the world of academia. The sudden death of an old friend is the incentive he needs to return to his African roots where he takes over a dilapidated field station in the jungle of Equatorial Guinea. There he meets an orphan boy with a sunny disposition who opens George’s wary eyes to this colorful place. The boy plays matchmaker between George and the lady who runs the local orphanage and all seems rosy until an old friend of George’s shows up out of nowhere to throw their lives into disarray as George discovers there are many obstacles on the road to redemption and a few more where the road runs out.
Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic “games” with one another for their own amusement.
As the three out-of-towners toast the end of their journey, someone at the bar is watching them and setting a deadly trap. Now, as closing time draws near, a night of unspeakable horrors is about to begin. Jesse Archer (Violet Tendencies, Going Down in LA-LA Land) and Ronnie Kroell (Eating Out: Drama Camp, Bravo’s Make Me a Super Model) headline in this bold, uncompromising thriller that plunges into the depths of human depravity. With its unpredictable plotline and raw performances, Into the Lion’s Den is a twisted nightmare that viewers won’t soon forget.
Painter Youngsoo (Kim Joo-hyuk) hears secondhand that his girlfriend, Minjung (Lee Yoo-young), has recently had (many) drinks with an unknown man. This leads to a quarrel that seems to end their relationship. The next day, Youngsoo sets out in search of her, at the same time that Minjung—or a woman who looks exactly like her and may or may not be her twin—has a series of encounters with strange men, some of whom claim to have met her before.
In the middle of a performance of the play “Le Cocu”, a bad boulevard comedy at a Parisian theatre, Yannick gets up and interrupts the show to take the evening back in hand.
Part-time pianist Monty Fagan begins a May-December romance that upends his home life.
During the Vietnam War [1959-1975] a special US combat unit is sent out to hunt and kill the Viet Cong soldiers in a man-to-man combat in the endless tunnels underneath the jungle of Vietnam. Suicide squads of a special kind.
The film centers on a fight promoter (Mark Feuerstein) deeply in debt to his crooked rival. Desperate for a new fighter that will help him win back everything he owes, the promoter catches a break when a 450-pound church handyman (Paul “Big Show” Wight) who has spent his entire life in an orphanage agrees to wrestle on behalf of his fellow orphans.
The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940’s to these days.
