Steph is in a happy, long-term relationship, but now she might be pregnant she has no idea what she wants.

Juan is a teenager in a gang-infested LA barrio. When his Uncle Manny invites him out on a joy ride, the situation goes bad. Juan is accused of a crime he did not commit. Now Juan is caught between loyalty to his uncle and the Law.

Joe Johnson, at the top of his stand-up comic game, decides to share a Halloween weekend away with a group of friends. They decide on the theme of a 1980s retro party, and jokingly suggest that if they get drunk, high, and behave badly enough, hopefully they’ll attract their own psycho killer. The joke is suddenly very much on them though, as in turn they reach their grisly demise at the hands of The Heckler, an uninvited guest out to turn their nostalgic horror movie fantasy into a terrifying reality, before delivering an unforgettable punchline…

An ex-con takes a job driving a truck cross country. What he doesn’t know is that the truck is filled with illegal weapons and now he must fight to survive and save his family.

Mikio (Masato Sakai) is a married man and works hard for the company where he is employed. Then one day Mikio is diagnosed with depression. Mikio’s wife is Haruko (Aoi Miyazaki). They have been married for 5 years. Haruko draws comics for work, but they do not sell well. She mainly relied on Mikio for support. Meanwhile, Haruko did not notice any changes in her husband. She begins to blame herself for not noticing any signs. Mikio’s depression derived from his work. His company has been pressing him to quit the company. After Mikio quits his job his condition improves, but the dynamics of their relationship changes.

Todd grew up under the strange shadow of his older mentally challenged brother Shonzi. As kids, Shonzi forced Todd to make action movies. As adults he pressures him to share love life details, even showing Shonzi a sex tape he made with an old girlfriend to help him cope when family tragedy hits. When their dad suffers a heart attack, Shonzi (now 40, and still a virgin) moves in with Todd and his new girlfriend Lindsay. Shonzi wants desperately to be included in their relationship like old times. When Shonzi’s begging become threats to reveal secrets from their past, Todd must find the courage to be honest with Lindsay, even if it means the end of their relationship.

Set in a small village in North Vietnam, a tale of awakening which traces a growing love triangle between Nham, an earnest and responsible 17-year-old country boy; the charming Ngu, his lonely and naive sister-in-law with whom he works closely in the fields; and Quyen, a stylishly vivacious expatriate who has just returned from the city, curious about life in the village where she spent her childhood. While all three characters are too reticent to unleash their feelings, the romance turns on the realization that this web of emotions is largely symbolic. Nham represents for Quyen an innocence and a past that she can’t recapture, just as she represents for Nham an urbanity and future prospects that he may never attain; and caught between the two is the delicate Ngu, left in the most desolate postion of positions.

Emily, who is saddled with student debt and locked out of the job market due to a minor criminal record, gets involved in a credit card scam that pulls her into the criminal underworld of Los Angeles, ultimately leading to deadly consequences.

A boozy lowlife tries to bury the truth about his crazy stepson’s suspicious death, but a nosy newspaper columnist and the young man’s mother complicate matters.

When Mong-lyong decides to take him under his wing, Bang-ja gets to share a room with the wise, MA. While sharing the room, MA teaches Bang-ja of all the arts of seduction. When strolling the park one day, Mong-lyong meets Chun-hyang, the daughter of the owner of the park, and he instantly falls in love and encourages Bang-ja to arrange a meeting with her. But Bang-ja’s feeling for her was also the same and he seeks advice from Ma. Ma tells him of Chun-hyang’s real intention to win over Mong-lyong for his social status. Without knowing, Mong-lyong urges for a second meeting with Chun-hyang. Bang-ja’s anger towards Mong-lyong for using his nobility to attract her heart triggers his plan to use Ma’s art of seduction. Successfully he wins her heart and body, but under the condition that he will help her to get married to Mong-lyong. Everything seems to go as planned but when Mong-lyong finds out their relationship, whole thing is about to go wrong.

A talented, but distracted photographer, Lola, on the verge of success in both love and work, could lose it all if she doesn’t make it to a crucial meeting on time. But, as usual, Lola is late. With her job and girlfriend on the line, she has three chances to make it right. In a desperate race through the streets and back rooms of San Francisco, time grows short-will Lola make it? Will she come at all? With a pop sensibility that mixes live action, animation and still photography, And Then Came Lola explores love’s age old question in a fresh new way, “If you try, try again, will you finally get it right?” (Written by M. Siler and E. Seidler)

Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky’s The Rite of Spring is about to be performed. The revolutionary dissonances of Igor’s work parallel Coco’s radical ideas. She wants to democratize women’s fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.