A young Saudi woman studying abroad returns to Jeddah, where she learns that her family has been shielding her from difficult truths.
You May Also Like
Raj Malhotra is a luckless architect who seeks success but in vain. He bumps into a social activist named Priya. Raj finds out that Priya is a lucky charm for him but unfortunately she is protecting the community center for which he aims to win the contract of demolishing for a brand new shopping mall.
As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia’s friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.
A prominent fashion photographer returns to her small town roots at the request of a friend. Surrounded by both memories and loved ones, she must consider a choice between a successful future and rekindling both the love of her life and of her home.
A Democratic political consultant helps a retired Marine colonel run for mayor in a small, conservative Wisconsin town.
Grace finds a note from a schoolgirl looking for a friend. Since Grace is still trying to find her place in her new hometown, she excitedly writes back and sets off a chain of events that ultimately changes the lives of three people.
The Whales of August is a 1987 film based on a play by David Berry starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The film was shot on location on Maine’s Cliff Island. The house still stands and is a popular subject of artists on the island. The film was directed by Lindsay Anderson, his final feature film, and the screenplay was adapted by David Berry from his own play.
Friday night in Toronto’s lower west end. Chatter from a dinner party in Harry and Carol’s nouveau riche condo drifts through an open balcony door, as two freebase cokeheads, Pretty and Johnny, have a party on their own in the alley below. As the dinner guests leave, the hostess is nowhere to be found. Until, a wet thud and a sharp scream rise up to the balcony. Pretty stares in horror at Carol’s body, splayed on the alley floor, as Harry screams for help from above. The sharp burst of police sirens sends the cokeheads running as Peter, a middle aged police officer, sprints from his cruiser to check Carol’s vitals. Rocket forward three months and these five disparate lives begin to cataclysmically intersect through weaving multi-narrative story arcs that release spurts and geysers of long-suppressed sexuality and aggression. Beautiful things can happen when you hit rock bottom.
A Good Samaritan wins a small fortune and decides to play secret Santa to the residents of His small town, soon finding love in the process.