This film is a remake of the 1989 Doraemon Movie 10: Nobita no Nippon Tanjou. Nobita and the gang run away from home, traveling back in time to 70,000 years ago before Japan was even born. After a while, they return to the present. However, when they bump into a young caveman, Kukuru, who they have accidentally transported forward to their current era, they realize they must take him back to the primitive age. On top of that, they will have to save Kukuru’s tribe, called the Hikari tribe, which was attacked and abducted by the Giganzonbie and Kurayami tribe.

An automated girl and tortoise warrior journey with a band of outlaws on an incredible quest. Their one hope is to find a legendary relic to defeat a sinister mechanized army and save the creatures of their world.

Eren Yeager and others of the 104th Training Corps have just begun to become full members of the Survey Corps. As they ready themselves to face the Titans once again, their preparations are interrupted by the invasion of Wall Rose—but all is not as it seems as more mysteries are unraveled. As the Survey Corps races to save the wall, they uncover more about the invading Titans and the dark secrets of their own members.

The series focuses on the adventures of Arata Kasuga, a high school student, who is targeted by Lilith, a teacher at a mystical school. Given three choices in an effort to help save the breakdown phenomenon of the world by evil forces and while attempting to solve the mystery of his beloved cousin and childhood friend, Hijiri, who disappeared to a difference space.

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The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s “Doorbell” and “Baby Blue” by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

When the owner of a Yorkshire coal-mine decides to mechanize to increase profits, the mine’s pit ponies are scheduled to be destroyed. So, three children plan to steal them to keep them safe. But when they’re caught, it’s up to the mine owners and the miners themselves to decide what’s right.

Lightning McQueen and Mater are driving in Radiator Springs and drive past Red, who is hosing some plants near Stanley. Mater tells Lightning that he used to be a firetruck, but Lightning doesn’t believe Mater.

While farm-sitting, George accidentally lets the farm animals escape. Ted, George and wannabe cowboy Emmett must round ’em up, accounting for every animal — and emerging with some new skills, to boot.

Leaving the safety of their nursery behind, Wendy, Michael and John follow Peter Pan to a magical world where childhood lasts forever. But while in Neverland, the kids must face Captain Hook and foil his attempts to get rid of Peter for good.

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Marci throws herself into preparing for Christmas and building her new event-planning business. But when the business gets off to a rocky start and members of her family face their own hardships, Marci steps up to help everyone have a good holiday.