Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father’s will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.
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Man tries to recover a horse stolen from him by a Mexican bandit. The Appaloosa (also known as Southwest to Sonora) is a 1966 American Western film Technicolor (set in the 1870s) from Universal Pictures starring Marlon Brando, Anjanette Comer and John Saxon, who was nominated for a Golden Globe for Best Supporting Actor for his portrayal of a Mexican bandit. The film was directed by Sidney J. Furie, shot in Mexico. The 2008 Appaloosa film (starring Ed Harris and Viggo Mortensen) is not related nor a remake of this film, although it has almost the same title.
An aging Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons–his sole purpose being to bring down his old friend Billy the Kid.
A veteran rancher and former sheriff, forced to face some federal bureaucracy when an old enemy-cum-millionaire alleges he doesn’t actually own his beloved family ranch in a small Texas town.
Monte Walsh and Chet Rollins are long-time cowhands, working whatever ranch work comes their way, but “nothing they can’t do from a horse.” Their lives are divided between months on the range and the occasional trip into town. Monte has a long-term relationship with prostitute Martine Bernard, while Chet has fallen under the spell of the widow who owns the hardware store. Camaraderie and competition with the other cowboys fill their days, until one of the hands, Shorty Austin, loses his job and gets involved in rustling and killing. Then Monte and Chet find that their lives on the range are inexorably redirected.
Daughter of Dawn told the story of a Comanche chief’s daughter torn between two lovers, one wealthy but cowardly, the other poor but honest and loyal. A contest of bravery involving a dangerous jump off of a cliff reveals the true nature of each man. The cowardly lover disgraced by his failing defects to the rival Kiowa tribe and joins in a failed attack on the Comanche village. When the Comanches successfully repel the attack the Chief gladly sends his daughter off with her true love and the young lovers, paddling together in a canoe, sail into the proverbial sunset.
The Man from Bitter Ridge is a film directed by Jack Arnold. Jeff Carr, a special investigator, arrives in Tomahawk. His assignment is to discover who has been holding up the local stagecoach and is guilty for a series of killings that terrorize the town. Sheepman Alec Black is suspected by the local population but it is not long before Jeff realizes the man is innocent. Alec even becomes a good friend although he is in love with the same woman as him, Holly. Jeff will manage to arrest the real culprits but not before the latter try to compromise him down.
Jake Wade breaks Cling Hollister out of jail to pay off an old debt, though it’s clear there is some pretty deep hostility between them. They part, and Jake returns to his small-town marshal’s job and his fiancée only to find he has been tracked there by Hollister. It seems they were once in a gang together and Jake knows where the proceeds of a bank hold-up are hidden. Hollister and his sidekicks make off into the hills, taking along the trussed-up marshal and his kidnapped bride-to-be to force the lawman to show them where the loot is.
When Confederate soldier Matt Weaver returns to town after the Civil War, he finds that his home has been sold by town boss Sam Brewster. Brewster hires gunfighter Jules Gaspard d’Estaing to deal with Weaver, but d’Estaing’s independent approach settles the town’s problems in a very unorthodox manner.
