It’s a great pop music myth that in Liverpool everything began and ended with the Beatles. It didn’t. Get Back documents the real story of the city’s music outpourings, from post war years to present day. It’s a story of a city where literally thousands of bands and artists, hundreds of clubs, promoters and managers put on the biggest, loudest and longest party in history. The golden era of The Cavern and Merseybeat generated a massive tectonic shift in popular culture and in the 1970s it started again with a new scene and yet another cellar club at its heart – Eric’s. Bands such as Deaf School, Echo and the Bunnymen and OMD led the way. Then Frankie Goes to Hollywood, the Farm, the La’s, the Christians. And more recently it continued, the city’s bands always inventive and always re-inventing, with the Zutons, Coral, Wombats and more. The story is unending but Get Back offers music fans a chance to enjoy the narrative and the sounds created so far in the city that rocked the world…

A history of the ill-fated 1994 production of “The Fantastic Four” that was executive produced by Roger Corman.

For four explosive years Pep Guardiola‘s Barça produced the greatest football in history, seducing fans around the world.

97% owned present serious research and verifiable evidence on our economic and financial system. This is the first documentary to tackle this issue from a UK-perspective and explains the inner workings of Central Banks and the Money creation process. When money drives almost all activity on the planet, it’s essential that we understand it. Yet simple questions often get overlooked, questions like; where does money come from? Who creates it? Who decides how it gets used? And what does this mean for the millions of ordinary people who suffer when the monetary, and financial system, breaks down? Produced by Queuepolitely and featuring Ben Dyson of Positive Money, Josh Ryan-Collins of The New Economics Foundation, Ann Pettifor, the “HBOS Whistleblower” Paul Moore, Simon Dixon of Bank to the Future and Nick Dearden from the Jubliee Debt Campaign.

Experience the show that quickly became a national phenomenon. Get an up-close and personal look at Kevin Hart back in Philly where he began his journey to become one of the funniest comedians of all time. You will laugh ’til it hurts!

A documentary that tells the tale that the victors still do not want you to know. Learn the terrible truth about the rape, torture, slavery, and mass murder inflicted upon the German people by the Allied victors of World Word II.

Documentary about the Mekons.

Louis spends time at King’s College Hospital in London where he immerses himself in the lives of patients in the grips of alcohol addiction and the medical staff trying to make them better.

1984. One shiny quarter. 44.5 hours of continuous play. The race to be the first gamer in history to score one BILLION points. Until recently, Timothy McVey (not the terrorist) thought he had — for all these years — held the world record on Nibbler. Note: a Nibbler cabinet will be available in the lobby for the duration of Fantastic Fest for attendees to attempt to break the current world record.

In October of 2010, 2 young hunters shot a 7 foot tall animal they could not identify. It stood upright and walked like a man. Dead Bigfoot: A True Story, chronicles the events of hunter, Justin Smeja after his alleged shooting of 2 bigfoots in October of 2010. The filmmaker embarks on an investigation filled with witness interviews, an intense polygraph examination and a long hard look the evidence collected.

A revolution is taking place in the art world and it isn’t happening in Paris, Berlin or Hong Kong—but in Grand Rapids, Michigan. ArtPrize is the most highly attended art show in the world, and it awards cash prizes larger than all other competitions combined. International critics and general crowds pack bars, galleries and abandoned buildings all over town, taking in over 1,500 works from cerebral conceptualists and weekend hobbyists. An acclaimed jury awards a winner $200,000 and the ballot-carrying public does the same. Nimble cameras follow four artists, each vying not only for critical recognition but for every public vote they can drum up. Part classy game show, part engaging art exploration, More Art Upstairs captures the debates ArtPrize has intentionally (or inadvertently?) triggered: Can culture be democratized? Do artists need or want to connect with audiences? And is the canonical art establishment on its way out? (Myrocia Watamaniuk)

Thirty-five years after it was made, the climatic car chase scene in The French Connection is still jaw-dropping in its suspense and execution. Director William Friedkin recounts how he created one of the greatest action sequences ever.