A tough-as-nails burglary crew from the streets, a Cuban cartel, heavy into voodoo, ruthless Albanian gangsters, and a blood diamond deal that erupts into all out violence. This throws the criminal underworld into chaos. Double-crosses and brazen gangland executions entwine everyone in a street war that plays out to an explosive ending.

BRUTAL centers on Trevor (Morgan Benoit), abducted from his backyard at the age of fifteen by an unseen alien presence. Forced into nearly two decades of no-holds-barred fights against other abductees inside an unearthly mixed martial arts arena, Trevor has evolved from an innocent boy into a brutal fighting machine. Derek, (Jeff Hatch) an ambulance chasing lawyer, is the latest lab-rat abductee forced to fight Trevor. As the two men exchange ever-increasing beating over the course of weeks and months, the brutality of their existence and the true nature of their humanity is slowly revealed. With elements of THE TWILIGHT ZONE and THE PRISONER, BRUTAL explores through science fiction, allegory and psychological drama, man’s violent nature and our propensity to commit unthinkable acts of violence against each other. Yet through this prism of brutality our capacity to love one another, even in the worst of circumstances is celebrated.

The film is set during the period of growing influence of the Indian independence movement in the British Raj. It begins with the arrival in India of a British woman, Miss Adela Quested (Judy Davis), who is joining her fiancé, a city magistrate named Ronny Heaslop (Nigel Havers). She and Ronny’s mother, Mrs. Moore (Peggy Ashcroft), befriend an Indian doctor, Aziz H. Ahmed (Victor Banerjee).

Terri, a pajama-clad, disaffected high school student learns how to engage the world with the help of Mr. Fitzgerald, his assistant principal.

After escaping from a sex trafficking ring, one teenage girl struggles to reconnect with herself and her family. To rescue her helpless friends, she must confront her own fears and help lead the police to her traffickers – at all costs.

An “underground” cartoonist contends with life in the inner city, where various unsavory characters serve as inspiration for his artwork.

Thomas is turning 16. His dad’s in the army and they’ve just moved to a town in New South Wales; his mom is pregnant; his older brother, Charlie, who’s autistic, has his own adolescent sexual issues. Thomas finds Charlie an embarrassment in public, so when Thomas is attracted to Jackie, a girl in his swim class, Charlie presents any number of obstacles when she drops by their house, when the three of them go for a walk, and during a family birthday dinner. Can Thomas find a way to enter the world of teen romance and still be his brother’s keeper, or is Charlie’s disability going to prove more than Thomas can handle?

After the disappearance of his troubled friend, American Chris Rivers travels to the remote Welsh countryside to investigate what happened – leading him to a dark apocalyptic cult.

Brooklyn, 1985. With the mob world as a backdrop, three life-long friends struggle with questions of love, loss and loyalty.

Two co-dependent sisters, a recovering sex addict and a lonely lesbian who work as hotel maids in Fresno, go to ludicrous lengths to cover up an accidental crime.

Gabriel Caine has just been released from prison when he sets up a bet with a business man. The business man owns most of a boxing-mad town called Diggstown. The bet is that Gabe can find a boxer that will knock out 10 Diggstown men, in a boxing ring, within 24 hours. “Honey” Roy Palmer is that man – although at 48, many say he is too old.

A company of actors arrive at a castle deep in the Irish countryside and set into motion the story of Shakespeare’s Hamlet. The lives of the actors and their characters intertwine as Prince Hamlet confronts the ghost of his father and seeks revenge on the treacherous Claudius, his uncle and newly appointed king. Hamlet’s pursuit of vengeance scorches the lives of everyone inside the castle walls and lays bare the many contradictions and ambiguities of human existence. At the play’s end, seven days have passed and the actors emerge, leaving the castle and characters behind.