A pair of rival butterflies form an unlikely friendship.

Summer, 1967. La Goulette, the touristic beach of Tunisi, is the site where three nice seventeen-year-old girls live: Gigi, sicilian and catholic; Meriem, Tunisian and Arab; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.

Sōra is a high school student who is basically invisible at school. He is friends with Chūya, who is an unpredictable character that often surprises those around him. Sōra and Chūya both have feelings for the same classmate, Kio Machida. The Machida girl refuses to come to class, because she doesn’t want to dye her naturally brown hair black. Their school has unreasonable school rules, especially about uniforms, which include requiring all students to have black hair. Sōra and Chūya decide to stand up to change their school’s black school rules so that Machida won’t have to repeat a year of school from missing too many classes.

Sweetpea searches for her missing rock star boyfriend Jamie in a forest in Japan.

Bihter, who is desperate for love, sees Adnan, a wealthy and respected older guy, as a way out of the stereotype that society and her materialistic mother have given her. But she soon discovers that she is not satisfied with his attention and has other needs.

A lurid fantasy of wounded flesh and accursed lives that entwine and separate in a building run by a landlord (Simon Yam), who seeks to find a particular type of tenant for the property he inherits from his relatives. Driven by his desire of peeping into the darkest aspects of human nature, what he sees through the eyes of the omnipresent cameras ain’t pretty… but it gives him the wry, abject satisfaction of a dark god lording over and leering at the souls of the damned, his imagination hungering toward them.

The stories of three men working at the Bosphorus Bridge in Istanbul are told by the original characters, in this mosaic depicting real persons exposing their lives and aspirations.

When a Wall Street firm downsizes, a well-to-do trader finds himself living with his parents and driving their ice cream truck.

Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her “day” job as a barmaid at Coyote Ugly. The “Coyotes” as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.

Peter is a medical student about to graduate and begin his residency. When his professor fails him, he winds up in bed with an actress and singer named Bogart rolling through Los Angeles. He accompanies her to the redwoods of northern California, where he encounters her eccentric family of pot farmers. But when Bogart runs away without a word, Peter is thrust into the picturesque and bizarre world.

In 1818, when Joseph Mohr is assigned to be the new assistant priest in Oberndorf, a small Austrian town near Salzburg, the young man is full of ideas and ideals. His passion to bring the church closer to the common people sets him on a collision course with his new superior, Father Nostler. When Mohr organizes a church choir that includes outcasts from the local tavern and performs in German instead of Latin, Nostler threatens him with disciplinary action. Their relationship further deteriorates when Maria a regular tavern patron, surprisingly joins the performance of the all-male church choir. As Mohr’s initial successes start to crumble and his efforts backfire on him, he loses all hope and faces a trial of faith. The night before Christmas, Mohr has to decide if he will accept defeat and leave Oberndorf or embrace the true significance of the Holy Night.

After losing sight in 1983, John Hull began keeping an audio diary, a unique testimony of loss, rebirth and renewal, excavating the interior world of blindness. Following on from the Emmy Award-winning short film of the same name, Notes on Blindness is an ambitious and groundbreaking work, both affecting and innovative.