A young woman in L.A. is having a bad day: she’s evicted, an audition ends with a producer furious she won’t trade sex for the part, and a policeman nabs her for something she didn’t do, demanding fellatio to release her. She snaps, grabs his gun, takes his uniform, and leaves him cuffed to a tree where he’s soon having a defenseless chat with a homeless man. She takes off on the cop’s motorcycle and, for an afternoon, experiences a cop’s life. She talks a young man out of suicide and then is plunged into violence after a friendly encounter with two “vatos.” She is torn between self-protection and others’ expectations. Is there any resolution for her torrent of feelings?
You May Also Like
In the Bezonians social club in North London, A group of down and outs scheme, plot and dream of becoming rich and breaking out of the monotony of their dreary and financially impotent lives.
Drama set in 1930s London with two sisters, Madeleine married to Rickie, and Dinah, who falls in love with him. Rickie and Dinah begin an affair which is to have repercussions throughout all their lives.
A legendary trainer comes out of retirement to help an underdog boxer fight his way to a better life.
‘Teen Kanya’ is an anthology film based upon short stories by Rabindranath Tagore, as a tribute on the author’s centenary. The title means “Three Daughters”, and the film’s original Indian release contained three stories, with three central female characters linking the stories together. ‘The Postmaster’ concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. ‘Monihara’ is a supernatural tale about a woman obsessed with the jewels her husband buys for her. ‘Samapti’ follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family. The international release did not include ‘Monihara’, and was released as ‘Dui Kanya’, or “Two Daughters”. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1996.
A struggling Chicago artist finds herself at a crossroads in life, overwhelmed by changes and needing to make a critical decision in her relationship.
John Carradine narrates five horror tales, each with a comically predictable surprise ending. In the first, “The Witches Clock,” the Farrells have purchased an old mansion in Salem Massachusetts and are warned by the town doctor of the history of witches in the community. The second story, “King of the Vampires,” deals with a slight-figured killer called the King of the Vampires by Scotland Yard. The third, “Monster Raid,” is about a man turned zombie when he ODs on his experimental drug. “Spark of Life” deals with a doctor Mendell obsessed with the experiments of a thrown-out professor named Erich von Frankenstein. “Count Alucard” is a variation on the Dracula story, with the Count acquiring the deed to Carfax Abbey from Harker as vampiresses and dead bodies start turning up.
Deaf and mute since having his hearing knocked out at the age of 12, Asher has been training for almost two decades to avenge himself on Ivan, the man that killed his older brother, 21 years ago. And now that his nemesis is out of prison, he gets his chance. But Asher’s target also happens to be his father.
The various faces of youth and people in an enclosed space of a convenience store for 12 hours.
Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.
A young woman is torn between the affections of her two lovers. One is a young bachelor who brings passion into her life. The other is a married man who has kept her as his mistress for years. Architect JD has a chip on his shoulder about his father Rico never really accepting him as his son. Seamstress Sari struggles to take care of her family. The two meet by chance, and JD aggressively pursues Saris affections. Though the two are clearly a good match, there is a problem standing in the way of their bliss: Sari is the mistress of JDs father. Against his better judgment, JD continues to court Sari even after finding out this difficult fact. He hides his true identity as Ricos son, and fights to win Saris heart.
