John John Florence puts his career on the line against Kelly Slater to qualify for surfing’s debut in the 2020 Olympics.

“Never Again?” seeks to educate others on the horrors and consequences of anti-Semitism. The film follows the journey of a Holocaust Survivor and former radical Islamist as they seek to leave behind a legacy of love over hate.

The story of artist Edith Lake Wilkinson, a painter who was committed to an asylum in 1924 and never heard from again. All her worldly possessions were packed into trunks and shipped to a relative in West Virginia where they sat in an attic for 40 years. Edith’s great-niece, Emmy Award winning writer and director Jane Anderson, grew up surrounded by Edith’s paintings, thanks to her mother who had gone poking through that dusty attic and rescued Edith’s work. The film follows Jane in her decades-long journey to find the answers to the mystery of Edith’s buried life, return the work to Provincetown and have Edith’s contributions recognized by the larger art world.

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As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Poignant stories of homelessness on the West Coast of the US frame this cinematic portrait of a surging humanitarian crisis.

The Outer Edges is a unique feature length film collaboration between Karl Hyde (Underworld, Tomato) and director Kieran Evans (Finisterre, Kelly + Victor). Keeping London at arms length at all times, the film charts a course along the capital’s invisible edges from North Essex to the river Thames. En route, the film celebrates a vibrant untold history as well as the dramatic locations and endearing attitudes of the people living and working along the same unmapped boundaries that Hyde crossed each day to record ‘Edgeland’, his first solo album.

After years of performing countless shows, spending days traveling and nights performing, all while attending to the necessary “business” of music, Human Drama’s Johnny Indovina feels burnt out and emptied. Johnny fights to fall in love with music again.

A film which marks the 50th anniversary of England’s victory in the 1966 World Cup, and uncovers the truth behind the man who led them to it… Bo66y is a powerful, dramatic and deeply personal portrait of a genuine footballing icon. Moore fought many battles besides those witnessed by millions on the football field. Behind the glory lies the story of a man who faced highs and lows with the same strength and bravery. But he died young, cruelly shunned by the game and by the very people who owed him so much. The story is told by his two wives, his friends and fans, including Pele, Sir Geoff Hurst Harry Redknapp, Ray Davies, Ray Winstone and Russell Brand, and more than 30 others, whose words are mixed with as yet unseen archive footage.

From the first time he performed Swimming to Cambodia – the one-man account of his experience of making the 1984 film The Killing Fields – Spalding Gray made the art of the monologue his own. Drawing unstintingly on the most intimate aspects of his own life, his shows were vibrant, hilarious and moving. His death came tragically early, in 2004; this compilation of interview and performance footage nails his idiosyncratic and irreplaceable brilliance.

The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.

THE FIRST MONDAY IN MAY follows the creation of The Metropolitan Museum of Art’s most attended fashion exhibition in history, “China: Through The Looking Glass,” an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collision of high fashion and celebrity at the Met Gala, one of the biggest global fashion events chaired every year by Vogue editor in chief Anna Wintour. Featuring a cast of renowned artists in many fields (including filmmaker Wong Kar Wai and fashion designers Karl Lagerfeld, Jean Paul Gaultier and John Galliano) as well as a host of contemporary pop icons like Rihanna, the movie dives into the debate about whether fashion should be viewed as art.