STATE OF FEAR takes place in Peru, yet serves as a cautionary tale for a world engaged in a “global war on terror.” It dramatizes the human and societal costs a democracy faces when it embarks on a “war” against terror, a “war” potentially without end, all too easily exploited by unscrupulous leaders seeking personal political gain.

Poignant stories of homelessness on the West Coast of the US frame this cinematic portrait of a surging humanitarian crisis.

When Khani and Matt met on a dating app, they had no idea COVID-19 would turn their spur-of-the-moment trip to Costa Rica into a months-long adventure.

After eight years of sharing snippets of his life online, see the intimate truth of Tyler Oakley’s relationship with family, followers and fame on his sold out international tour.

Fast friends and founders of the first Muslim fraternity in the United States struggle with forbidden love, cultural taboos and generational conflict in this heart-warming story about coming-of-age in America.

This documentary delves into Utahandapos;s supernatural mysteries, from UFO sightings to haunting ritual circles and other unexplained phenomena.

Cameramen and women discuss the craft and art of cinematography and of the “DP” (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Armando Iannucci presents a personal argument in praise of the genius of Charles Dickens. Through the prism of the author’s most autobiographical novel, David Copperfield, Armando looks beyond Dickens – the national institution – and instead explores the qualities of Dickens’s work that still make him one of the best British writers. While Dickens is often celebrated for his powerful depictions of Victorian England and his role as a social reformer, this programme foregrounds the elements of his writing which make him worth reading, as much for what he tells us about ourselves in the twenty-first century as our ancestors in the nineteenth. Armando argues that Dickens’s remarkable use of language and his extraordinary gift for creating characters make him a startlingly experimental and psychologically penetrating writer who demands not just to be adapted for television but to be read and read again.

Despite having just 40,000 residents and limited financial resources, the Schwäbisch Hall Unicorns have been able to compete at the highest level of football in all of Europe. But as more money floods into the sport, coaches and fans must face the question: has this team become a relic of the past or can their remarkable culture propel them beyond the constraints of reality?

Hugh Bonneville reveals how a perfect storm of political intrigue, power struggles and clashing religious passions combined, in a single week, to cause the event that changed the world: the killing of Jesus.

This documentary follows the group on their 2015 sold out North American tour. Since bursting onto the scene in 2011, Pentatonix has sold more than 2 million albums in the U.S. alone and amassed nearly 1 billion views on their YouTube channel with more than 8.1 million subscribers. Their latest holiday album – That’s Christmas To Me – sold more than 1.1 million copies in the U. S., becoming one of only four acts to release a platinum album in 2014.

Housing prices are skyrocketing in cities around the world. Incomes are not. PUSH sheds light on a new kind of faceless landlord, our increasingly unliveable cities and an escalating crisis that has an effect on us all. This is not gentrification, it’s a different kind of monster.The film follows Leilani Farha, the UN Special Rapporteur on Adequate Housing, as she’s travelling the globe, trying to understand who’s being pushed out of the city and why. “I believe there’s a huge difference between housing as a commodity and gold as a commodity. Gold is not a human right, housing is,” says Leilani.