Four friends find themselves trapped in their small hometown after they discover their friends and neighbors going quickly and horrifically insane.

Music for Black Pigeons is the first collaboration between Jørgen Leth and Andreas Koefoed. The film poses existential questions to influential jazz players such as Bill Frisell, Lee Konitz, Midori Takada and many others: How does it feel to play, and what does it mean to listen? What is it like to be a human being and spending your whole life trying to express something through sounds? The characters wake up, rehearse, record, perform and talk about music. In some moments they are on the edge, the edge of existence, constantly challenging themselves. They listen. They devote themselves to finding a space to create a connection to something bigger than themselves. Something that will outlast all of us.

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When three college guys get caught spying on a sorority ritual, they’re forced to accompany the pledges on their next assignment: stealing a trophy from a bowling alley. But the token they pinch has a devilish imp who makes their lives a living hell.

Previously lost exploitation film about a youth serum and the crooks who try to steal it.

An old man reminisces about a distant homeland. He wants to return. Internally displaced as a result of the ongoing conflict between the Pakistan army and the Taliban and forced to live in a camp, the family is caught between memories of what life was, an insecure present and a bleak future.

Pray the Devil Back to Hell chronicles the remarkable story of the Liberian women who came together to end a bloody civil war and bring peace to their shattered country.

A timid butcher and his drama queen twin sister quit the hostile confines of post- Brexit Britain and adventure to Australia in search of their birth mother, but the seemingly tolerant townsfolk are hiding a dark, meaty secret.

Follows several of Cuba’s top drag racers as they struggle to prepare their classic American cars for the first official car race since the Cuban Revolution. It tells a personal, character-driven story that tackles how Cuba’s recent reforms have affected the lives of these racers and their vibrant community.

The premise behind Better Left Unsaid, lies in the unconfined analysis of the often violent extremism of today’s Western political landscape. As liberal democracy becomes increasingly challenged in the West, we expose the dangerous tactics employed by the radical-left and far-right, alike. In a world where political polarization frames the way in which we live, a new path forward of unity is needed more than ever before. The value of the film lies in its impact, brevity and digestibility – as we confront the philosophical underpinnings of the radical left and their extreme right counterpart.

A woman with increasingly disturbing and violent dreams consults a famous sleep therapist known for his controversial treatments. Her experience plummets her into the dark, twisted depths of her subconscious, grasping for her sanity.

The film centres on a group of Mattayom 6 (Grade 12) students who meet in Siam Square to attend one of the cram schools. Jublek (Morakot Liu) is mad at her best friend May (Eisaya Hosuwan) and that leads them to split from the others, disappearing out of sight from their tutor school classmates. A group of boys led by the foul-mouthed Mon (Nathasit Kotimanuswanich) is also hanging round. They have a neat little racket going, uploading shows to YouTube and charging per view. They’ve heard that a ghost lives in the cram school they attend but when they try and find the spirit find themselves in hot water.