After the sudden death of their midwife, an L.A. couple hires her hippie son to be their live-in doula.

After a whirlwind couple of years, Ali Wong returns to the stage to dish on the highs, lows and surprises of dating post-divorce.

One for the Road follows Jimmy, Paul, Richard and Mark who meet on a rehabilitation course for drink drivers. Jimmy is young, ambitious and desperate to sell his late father’s business; Paul has been salesman of the year three times running, however, that was five years ago; Richard is a retired millionaire property developer and Mark is a taxi driver with a weakness for weed and philosophy.

Henry Van Cleve presents himself at the gates of Hell only to find he is closely vetted on his qualifications for entry. Surprised there is any question on his suitability, he recounts his lively life and the women he has known from his mother onwards, but mainly concentrating on his happy but sometimes difficult twenty-five years of marriage to Martha.

Comedy based on the plight of modern Native Americans living on reservations.

A man and a woman go out on a “big” third date. He’s ashamed to admit he just lost his job, and she’s afraid he’ll run away if he finds out that she has a kid. Small lies lead to bigger ones and the night gets crazy very soon.

Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios’ best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas.

Struggling stockbroker Jimmie Shannon learns that, if he gets married by 7 p.m. on his 27th birthday — which is today — he’ll inherit $7 million from an eccentric relative.

Paul à Québec is quite simply about life, at its happiest and at its most challenging. Paul and his in-laws offer us a window onto the everyday life of the Beaulieu family, but we also witness the decline of his father-in-law, Roland. Paul à Québec is a hymn to life that reminds us, among other things, of the beauty of those small moments when, in spite of the farewells, life shows us how important it is to savour every instant.

Adolescence is like a heavy rain. Even though you catch a cold from it, you still look forward to experiencing it once again. Ko-Teng has several close friends who had a crush on Shen Chia-Yi. Those friends of Ko’s thus moved in unison from Ching Chengs junior high school straight into the senior high school division in pursuit of her. Naughty in nature, Ko was ordered by their homeroom teacher to sit in front of honor student Shen for her to keep close tabs on him. The two hadn’t hit it off at first but Ko gradually fell for Shen, who was always pressuring him to study hard. On the other hand, Shen became impressed by the contrasting values Ko represented. Ko started pursuing Shen but Shen remained hesitant.

In Fly Me to Minami, Lim’s fourth feature film and follow-up to his Stateless Trilogy, two transnational love stories intersect. The first of these stories is between Sherine, a fashion magazine editor from Hong Kong, and Tatsuya, an amateur photographer in Osaka. The second is between Seol-a, a Korean flight attendant, and Shinsuke, a married Korean-Japanese shopkeeper in Osaka’s Korea Town.

When Danielle’s husband goes missing in action during his deployment, she is left to raise her daughter on her own. Three years later, as she acclimates to life without him, she begins to tell her daughter bedtime stories of her father.