For centuries and across cultures, parents have warned their children of the legendary Bagman, who snatches innocent children and stuffs them into his vile, rotting bag—never to be seen again. Patrick McKee narrowly escaped such an encounter as a boy, which left him with lasting scars throughout his adulthood. Now, Patrick’s childhood tormentor has returned, threatening the safety of his wife Karina and son Jake.
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When Jodie goes missing, her parents are left behind to pick up the pieces. They frantically try every option to get her to come home, or for her kidnappers to release her. While they search the mortuaries looking for clues, a private investigator discovers a murky world and a terrible secret everyone wants to keep.
Katia (Kostrzewa), a young Polish woman adrift in London, meets Bob (Brake), an American tattoo artist. Katia is drawn to his mysterious aura and the taboo culture of body modification, but Bob has a dark, secret desire to leave his mark on the world and little does Katia know that her fascination with him will put her life in danger.
Trevor is ‘between jobs’. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (he’s not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons’ return is just the beginnings of Trevor’s problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.
Virginia will do the impossible in order to rescue her little daughter who has been abducted. After a terrible accident, she has the chance to live one day more to save her. On her path, she will find out that there are worst thing than death.
In 1989, six year old Martin Bristoll was kidnapped from his backyard swing in Minersville Pennsylvania. Graham Sutter, a psychotic recluse, kept Martin imprisoned on his derelict pig farm, forcing him to witness and participate in unspeakable horrors. Chosen at random, his victim’s screams were drowned out by the rural countryside. For five years, Martin’s whereabouts have remained a mystery, until 17 year old Allison Miller comes to live with her Uncle, Jonathan. While exploring her new surroundings, Allison discovers things aren’t quite right at the farmhouse down the road. Her curiosity disturbs a hornet’s nest of evil and despair that once torn open, can never be closed.
When a missing space trucker is discovered hungover and disoriented, his co-worker suggests a nightcap as a remedy. Near closing time, they are reluctantly allowed inside the colony supply depot where the trucker’s condition worsens, leaving a young supply worker alone to take matters into her own hands. (One of six short films produced to celebrate the 40th anniversary of 1979’s Alien.)
A millionaire and his wife are shipwrecked after a yachting accident with their former servant, Manuel.
A college student who will do just about anything for Internet fame is kidnapped by a fan, and her reluctant roommate is the only one who can save her.
It’s 1998 and over the course of one 12-hour shift at an Arkansas hospital, a junkie nurse, her scheming cousin and a group of black market organ-trading criminals start a heist that could lead to their collective demise.
