Dr. Steve Brule directs himself in the title role of a rejected sitcom pilot about a Myer’s Super Foods bagboy who must decide whether or not to report a shoplifter.
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Just as Jeremy Jackson attempts to become the first male firewoman in New York, fires begin mysteriously erupting from toilets all over the City and Fire Marshal Marc Marshall is called in to investigate. From the start, Jeremy is heckled and sexually harassed by his tough as nails female cohorts including his instructor, the hard-boiled Lt. Shithouse. Jessica Luvintryst, Jeremy’s old flame and the Mayor’s very personal assistant, rekindles the fire in his eyes and between his thighs. Jeremy discovers trace jet fuel at the fire sites and soon becomes hot on the trail of The Most Evil Man and his diabolical scheme. In the tradition of Naked Gun, Backfire spoofs Backdraft.
Set in the 1970s, Tom Spader is an attorney who is determined to end what he has dubbed “the colored man’s losing streak.” When his winning of a high-profile case thrusts him into the limelight, he decides to moves his wife and their two kids out of their mixed lower-middle-class town and into the posh enclave of Greenwich, Connecticut.
Norm and his oldest son travel back to New York to receive the key to the city.
Archie (John Rhys-Davies) is a God on a mission to ensure that true love always wins. Or, short of that, that someone is going to die trying. Not that he particularly cares which outcome it is. That’s Archie’s “Bad Cupid” approach to romance and beware anyone who gets in his way, especially anyone he’s actually trying to help.
Thelonious “Monk” Ellison’s writing career has stalled because his work isn’t deemed “Black enough.” Monk, a writer and English professor, writes a satirical novel under a pseudonym, aiming to expose the publishing world’s hypocrisies. The book’s immediate success forces him to get deeper enmeshed in his assumed identity and challenges his closely-held worldviews.
The story of the Buckman family and friends, attempting to bring up their children. They suffer/enjoy all the events that occur: estranged relatives, the “black sheep” of the family, the eccentrics, the skeletons in the closet, and the rebellious teenagers.
At an institute devoted to culinary and alimentary performance, a collective finds themselves embroiled in power struggles, artistic vendettas and gastrointestinal disorders.
The rarest of Laurel and Hardy films this side of The Rogue Song (1930), That’s That is a gag reel made up of alternate takes and bloopers said to have been compiled by film editor Bert Jordan as a present for Stan Laurel’s birthday in 1937.
The story of an egotistical crime writer who gets involved with the case of a notorious art thief (who is believed to be dead) while at the same time romancing a lovely young actress who’s in a play that also happens to be the cover for massive jewel job. Art connoisseur and criminologist George Melville is hired to track down art thieves, assisted by perky Claire Peyton and goaded by Phil Bane, the roaring newspaper editor who has employed him. The mastermind poses as a theatrical impresario and stages a war drama, replete with loud explosions, to divert attention from his band of thieves, who are cracking safes in a bank adjacent to the theater.
