With Super Bowl 50 stealing the attention of regular late night fans, Taryn Spring, a sassy English live call show host is harassed by a ‘bad caller’. A hostage in her own studio, the only way to get help is to get people watching.
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The 1854 Wyoming historical drama is based on Tom Shell’s adaptation of the true life memoirs of Pony Express rider Nick Wilson.
Divorced and demoralized Amy Minsky’s prospects look bleak when she is condemned to move back in with her parents at the age of 35. Everyone wants to help, but, as her patience level with advice is plummeting, a bold teenage boy enters her life, igniting her last bit of self-esteem. What ensues is an unconventional love story infused with all the good things Amy needs to get on in life, and that just may include great sex.
When Dezzie befriends new boy Yasin at his school, little does he know his life will take an unexpected turn that will ultimately shape his future. Having witnessed the perpetual racist taunts and bullying to the quiet Chinese newcomer, Dezzie, no stranger to beatings himself, stands up to Yasin’s persecutors and wins the respect, not only of his tormentors, but more importantly of Yasin, and his family.
Based on the long running play by Jang Jin, the story is set in Korea during the Korean War in 1950. Soldiers from both the North and South, as well as an American pilot, find themselves in a secluded and naively idealistic village, its residents unaware of the outside world, including the war.
Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, the perfectionist Jackal proves an elusive target for the men charged with the task of bringing him down: a deputy FBI boss and a former IRA terrorist.
Praful Patel (Kangana) is a 30-year-old divorcee living in Georgia with her middle-class parents. A housekeeper by profession, she gets drawn to a life of crime after her tryst with gambling at a Las Vegas casino. One bad turn leads to several more and before you know it, Praful is in a sordid mess.
A photographer obsessed with a wealthy man’s beautiful wife kills her jealous husband in self-defense. The deceased man’s down-and-out musician son soon is drawn in by his sexy stepmother who, unbeknownst to him, is scheming to collect the entire estate.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
Determined to make it in showbiz, an aspiring young actor considers turning his back on the beloved Irani café run by his family for generations.
A lawyer helps a funeral home owner save his family business from a corporate behemoth. In a move to bring resonance to a dry case, the lawyer digs up a complex web of race, power, and oppression that forces everyone to examine prejudices.
