When a paranormal research team investigates a haunting dramatized on a classic television series, they encounter a sinister supernatural force thought to be fictional.
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Claire and her husband find themselves moving back into Claire’s childhood home only to have the abusive and traumatic memories of her mother come back to haunt her. As her husband starts to get more work, Claire finds herself mixed up in a fog of past and present with a mysterious figure haunting her memories. What is this small figure that is trying to reach out to her, and what does it want?
Television news celebrity April Carson turns to the services of private investigator Isaac Beaumonde to seek her missing sister, a stripper known as Gigi Spot. Carson assumes a role in a horror movie in the process, eventually learning that the movie’s director, Able Whitman, is not only the culprit, but that he has rendered her sister’s body into props for the production.
In the final days of World War II, a secret experiment to weaponize sharks is shut down and destroyed by the Third Reich. But now, 60 years later, a small ocean town is plagued by a bloodthirsty, mysterious creature, one built and reanimated using parts of the greatest killers to ever inhabit the sea – the Sharkenstein monster!
A young woman and her fiancé are in search of the perfect starter home. After following a mysterious real estate agent to a new housing development, the couple finds themselves trapped in a maze of identical houses and forced to raise an otherworldly child.
Stranded in the secluded wilderness of Pleasant Oaks, a group of friends fight for survival against a terror that lurks in the woods.
When a supernatural phenomenon causes a group of people in the North Georgia Mountains to mysteriously disappear, a small team of research scientists rush to the area to begin a dangerous investigation which leads them into a spiraling psychological battle for survival.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
In a world of fake castles and anthropomorphic rodents, an epic battle begins when an unemployed father’s sanity is challenged by a chance encounter with two underage girls on holiday.
On the run for murder, Avery Quinn bursts into Alpha Omega Pi house looking for help. Desperate to prove her innocence and her sanity, she holds a handful of people hostage and forces them into the reality of her ongoing nightmare. As a last resort, she summons the legendary Sandman and from that point on, all of the unfortunate souls inside have two choices: Face their worst nightmares…or…face the Sandman
