A high-powered CEO puts her career and family on the line when she begins a torrid affair with her much younger intern.
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Tom Ripley – cool, urbane, wealthy, and murderous – lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin’s underworld pays a call asking Ripley’s help in killing a rival. Ripley – ever a student of human nature – initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who’s dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?
It’s night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.
A quadriplegic man is given a trained monkey help him with every day activities, until the little monkey begins to develop feelings, and rage, against its new master and those who get too close to him.
Jack Kerouac’s life is examined through interviews with his contemporaries and friends including Allen Ginsberg, Lawrence Ferlinghetti and William S. Burroughs. The film also employs dramatic recreations of Kerouac’s life beginning with his early childhood.
Lotus never had a chance. Her mother seethed with anger at being unjustly imprisoned for turning her attemped rapist into a cyclops. Mother repeatedly asked her good friend and fellow prisoner, Pickpocket, to urge Lotus to take revenge for her as an adult. Lotus is given to a monastery and grows up there, but twenty years of peace and love make no impression on Lotus, who skips classes to practice pole and sword skills. Joining forces with Pickpocket and Big Rat, Lotus gets her chance at revenge.
Fat Pizza the Film is yet another slice of life at a dodgy suburban Sydney take away. Bobo Gigliotti the psychotic pizzeria owner/pizza chef is awaiting the arrival of his mail-order refugee bride Lin Chow Bang, and a new pizza deliverer is on the block. Channel V’s Jabba almost steals the show as token skip delivery boy Davo Dinkum, a stoner with a bong strapped to his face like a feedbag.
Based on the long running play by Jang Jin, the story is set in Korea during the Korean War in 1950. Soldiers from both the North and South, as well as an American pilot, find themselves in a secluded and naively idealistic village, its residents unaware of the outside world, including the war.
Under the guise of a journalist, Campbell has a chance to get to know her biological father for the first time – without him ever knowing who she really is. As she spends time with him and his family, as well as with the town’s record keeper, she realizes that families are messy, wonderful things. In the end, Campbell must decide if she’s going to keep her identity a secret or reveal the truth to her father – a decision that will change their family Christmas forever.
After double crossing local gangster Jack Crooks, abusive husband Lionel knows that the net is closing in on him. Henchmen Eddie Bell and Percival Sullivan have got him in their sights and it’s only a matter of time before they ‘turn his lights out’ for good! His long suffering wife Peaches also has her mind set on his demise and with the help of her friend and the weird and eccentric Dr Henrick Oldcorn, she sets the wheels in motion for his eradication. Lionel knows that his days are numbered, but he isn’t about to hang about to see who gets him first, and he quickly plans his escape.
Danger Death Ray, the funniest of the cheesy spy films that MST had fun with. Former Tarzan Gordon Scott sucks in his gut for this one. Professor Carmichael has developed a death ray “for peaceful purposes only” but a vague group of bad guys want it instead, so he’s kidnapped by doughy guys and taken to their toy sub (via a toy helicopter)Bart Fargo must rescue him cause he’s the only American spy who looks good in womanly sunglasses. Cool music accompanies him as he searches for Carmichael while he must deal with evil Abe Lincolns, a fey bad guy tuned friend of Fargo’s and a couple of women who he must sleep with. In the end the ineffective bad guy gets killed, the professor and the death ray get rescued and Bart gets the woman. There’s also a complex scene with a watch thrown in a pool which symbolizes the amount of time that was wasted on smart screen writing for the movie.
