When Reza is jailed on drug charges under mysterious circumstances, his wife is forced to uproot the lives of their four children. Under Iran’s strict drug laws, Reza faces execution if convicted—a harsh sentence made harsher still by the overwhelming economic and emotional toll it takes on his family. With the future uncertain and nowhere to go, Reza’s family members find themselves at the mercy of actions taken far out of their control.

The career of the band, from its start in Georgia to its breakup in 2011.

‘Theatre is my life,’ Yıldız Kenter admits in her biography written by Dikmen Gürün. This is the story of a star, who has dedicated her whole life to her theatre company, students, the stage. Recounting the prizes received as well as the prices paid for pursuing your passion, Sweetie is a testimony to the transforming cultural landscape of the country as it tells Kenter Theatre’s story and thus how a private theatre has managed to survive. Including interviews by family members, students, fellow actors, as well as rare archival images and footage, Sweetie is an homage to the ‘North Star of Turkish theatre.’ The documentary was written by Zeynep Miraç, scored by Murat Evgin, and features Dikmen Gürün as advisor.

The mysterious jungles of Thailand are home to some of the rarest wild cats on earth – the Clouded Leopard, The Asian Leopard, The Indian Fishing Cat and the Indo Chinese Tiger. In one of the last truly wild corners of the world this extraordinary collection of secretive predators defend their last remaining stronghold. As their territories intertwine and continuously shift, these cats must cheat death on a daily basis if they are to survive and thrive out in these tangled lands

Following the story of the song “Silent Night” from its creation in the early 19th century to the staple of Christmas Festivities

Scottish musician, Edwyn Collins’ world was shattered by a devastating stroke. After fighting back from the brink of death, he discovers that life, love and language mean even more to him that he could ever have imagined.

The origin story behind one of Broadway’s most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when “tradition” was on the wane as gender roles, sexuality, race relations and religion were evolving.

Moving between two extremes – the intimate verite drama of the Miss India pageant’s rigorous beauty “bootcamp” and the intense regime of a militant Hindu fundamentalist camp for young girls. The World Before Her delivers a provocative portrait of India and its current cultural conflicts during a key transitional era in the country’s modern history.

He knows our natural world like no other, and there’s never been a more urgent time to hear his story and vision for our future.

Having escaped a destructive relationship, film artist Maja Borg explores two ritual practices: Christianity and BDSM. At first glance, the two could hardly be further apart, but perhaps there is a spiritual kinship between religion and subculture in terms of their healing power. Borg confronts herself and her deeply personal traumas in a dark and theatrical form, while exploring the European queer scene and the Christian heritage of northern Europe to find back to her own core. Passion and suffering are two sides of the same complex case in ‘Passion’, whose transcendental imagers lets literary and cinematic traditions come together in a ceremonial whole. But the abstractions give a sense of human depth to the film’s encounters, where Borg is challenged in both body and soul. And maybe it is precisely this humanity that proves to be the thing that connects theology and BDSM on an emotional and possibly even spiritual level.

What happens if a single woman is obliged to bring up a baby without a father in a “modern” city of a conservative country? This autobiographical documentary thoroughly researches social roles of women and intellectualizes social inequality while searching for answers to this question.

The stand-up comedian is a special breed, both an artist and an artisan. They work by painstakingly developing a persona, scripting and editing an act, and revising it on the spot to suit the energy of a given audience. If the audience does not grasp the countless hours crafting the routine, and the empathic micro-calculations, then the act was a success… well, as long as it was funny.