A turn of the century wild west show struggling to make a living in Mexico comes into the possession of a tiny prehistoric horse. This leads to an expedition to the Forbidden Valley where they discover living dinosaurs. They capture one and take it back to be put on display, leading to inevitable mayhem.

A mysterious woman returns to her mountain village home to confront her painful past. As she tries to uncover the long-buried truth, the local villagers accuse her of witchcraft and murder.

American-born Ray Rehman comes home one night to find his Pakistani father on his doorstep. Ray’s Caucasian mother threw him out. It’s an awkward time for his father to move in as Ray just proposed to his Caucasian girlfriend – who hasn’t given him an answer. While trying to get his parents back together, Ray meets a South Asian girl of mixed descent, just like him, and must decide where his identity truly lies.

The holiday season has started and Molly Cooper (Laura Vandervoort) is looking for joy. Finally living her childhood dream, Molly swaps her quaint farmhouse for London Financier Patrick Kingston’s posh apartment. Through the ups and downs of her new life in London and searching for romance, Molly begins to look forward to all communication with Patrick. Likewise, Patrick finds Molly’s warm emails and texts charming and compelling. Sparks fly between them as they get to know each other as they live in each other’s spaces.

An escaped slave travels north and has chance encounters with Frederick Douglass and John Brown. Based on the life story of Shields Green.

Laura is still waiting for Prince Charming at the age of 24. So when Sandro appears at a party, exactly like her Prince would in her dreams, she thinks she’s found the right one. But then again, when she meets Maxime, Laura starts to wonder if some Princes could be more charming than others? Of course Sandro has problems of his own : his father, Pierre, just bumped into Madam Irma at his father’s funeral and this reminded him of the date of his own death which Madame Irma had predicted ages ago. Now Pierre is unable to make any plans, not with his new partner Eleonore, nor with Sandro. And Maxime has his own problems, and so does Eleonore, Marianne, Jacqueline and many others. But don’t worry, in the end, they’ll all live happily ever after.

Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

After being a victim of rape within their own home, Diana chooses to keep the trauma secret. Mario, her husband, also has something to hide. The silence takes the couple’s account over the day turns gradually into a peculiar form of violence.

An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.

Will Mannon, “product of the Devil’s loins,” is released from a frontier prison and promptly goes in search of the people who put him there some 12 years ago — Matt Dillon and Kitty Russell.

A murder case reveals unknown secrets of the killer and the victim.

Charlie and Rachel run away from home to get married in Las Vegas. But they get attacked by a zombie who takes Rachel with him to hell, where she will become one of Satan’s brides