A group of teen-age runaways try to survive in the streets of Los Angeles. Drugs, prostitution, violence and bureaucratic indifference all pose threats to the kids, who nevertheless prefer this harsh life to going back to their families. King, somewhat older, provides some leadership the kids.

Two policemen, one an old-timer, the other his volatile younger partner, find themselves suspended when a video of their strong-arm tactics becomes the media’s cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.

In the standstill of the pandemic summer, a young couple wants to start anew and move from Hanover to Berlin. To say goodbye, they are throwing a farewell dinner. But good friends cancel — and uninvited guests show up. Soon, secret longings, misunderstandings and human abysses of the privileged dinner guests are revealed. Here, everyone is fighting only for themselves: a “bubble” that seems to have everything and yet threatens to despair of itself.

Terry is a suicidal voyeur who treats a dying addict to a final binge, but Terry will only do this if he promises to kill him.

Sparks fly when a greeting card executive arrives in Santa Fe to acquire a tight-knit family company that creates ornaments inspired by Mexican Christmas traditions.

The eccentric owner of a Los Angeles self-storage company finds his world come crashing down when his long-suffering wife dies, only to return as a beautiful ghost.

After the WWI Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie’s partner and the rackets flourish until love and rivalry interfere.

A coming of age story of members of a Nahal group, volunteering in a kibbutz named “Kissufim” (“Yearnings” in Hebrew), on the outskirts of the Gaza strip in the 70s, who meet with the hardships of love, sexuality, morality and responsibility near the end of their military service and the beginning of their civilian adult lives.

Gauri, a student, is dating a worker at her father’s hawker stall. One day, she discovers she is pregnant—news that worsens the fractured relationship with her father and stepmother. During a visit to the gynaecologist’s clinic, Gauri strikes a chord with her doctor, Radhika, who is struggling to come to terms with a huge loss in her life. Their unlikely bond proves to be a welcome change in both their lives.

Richard Davalos plays Rick Bowman, a drag racing street punk who comes to the attention of car enthusiast Grant Willard. Willard bails him out of jail and offers him sponsorship as a race car driver. Bowman eventually accepts and becomes entranced by the tricky “figure eight” track Willard introduces him to. The king of the track is cocky and talented hot dogger Hawk Sidney (Hill regular Sid Haig in one of his most memorable and entertaining roles). Bowman and Sidney clash and Bowman sets his sights on knocking the latter of his perch while stealing his girl Jolene. This is just the beginning for the ruthless Bowman who will let nobody stand in his way and will attempt to destroy any man, and seduce any woman who crosses his path. Pretty soon he has his eyes on Ellen McLeod the wife of champion racer Ed McLeod who he befriends. Will he betray his friends and colleagues on the eve of The Big Race, or will he finally discover he has a conscience?

One night with a total stranger. And fate brought them together once again. That’s where their whirlwind romance started.

During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable reformist politician Ralph Henry. When Ralph’s son, Taylor Henry, a gambler and the lover of Paul’s sister Opal, is murdered, Paul’s right arm, Ed Beaumont, finds his body on the street. Nick uses the financial situation of The Observer to force the publisher Clyde Matthews to use the newspaper to raise the suspicion that Paul Madvig might have killed Taylor.