Young assassins Azumi and Nagara continue their mission to prevent a civil war. In their hunt for Masayuki Sanada, who is protected by both an army and a dangerous clan, they meet Ginkaku, a person who shows a remarking resemblance with former friend Nachi.
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Carol Morley’s debut short uses the iconography of the genre of melodrama – the staircase, the father – to explore the story of a girl’s relationship with her father, and the impossibility of recreating a time, a place, and a memory. Cross-cutting between the girl protagonist and her father, the film creates a sense of crisis and conflict. As the girl invests her feelings in her surroundings and describes events connected to her father, we are drawn into a world of pain and pathos. Morley’s first directorial credit was her graduation film from Central St. Martin’s School of Art.
Four actors go to a cabin in the woods to write, direct, and act in a film that will jump-start their careers. Their idea is a horror film about a man with a bag over his head, but what happens when that man mysteriously shows up?
A physicist’s life-long work comes to fruition when he is reluctantly partnered with a gifted young assistant. Ego divides them when they receive an unknown signal from space.
“Laura Smiles” is an alarmingly effective portrait of a woman’s mental breakdown. We are introduced to “Laura” at her happiest time, in a warm, loving relationship with her fiancé (a very appealing Kip Pardue) in the city, literally the love of her life. In flashbacks, we then see the sweet development of this relationship out of order as these moments become brightly lit and colored memories that desperately intrude on her later in life, as she becomes consumed with guilt and remorse over his fate. These feelings start to overwhelm her current life as a wife and mother. As something inconsequential in what she calls her “suburban drudgery” triggers the past — in the supermarket, cooking, cleaning, at a school play– she acts out increasingly aberrantly to counteract the feelings they generate, especially when she can no longer distinguish past from present from dreams, recalling Blanche Du Bois.
Charlton Heston stars as Renaissance artist Michelangelo di Lodovico Buonarroti Simoni (6 March 1475 – 18 February 1564), who begrudgingly paints the Sistine Chapel for imperious Pope Julius II in this epic adaptation of Irvine Stone’s novel directed by Carol Reed. While the novel covers Michelangelo’s life from birth to death, the film focuses on the battle of wills between the perfectionist artist and the impatient Pope who commissions (and eventually commands) him to paint the famed chapel.
Billy is an innocent, naive seaman in the British Navy in 1797. When the ship’s sadistic master-at-arms is murdered, Billy is accused and tried.
Hitchcock follows the relationship between director Alfred Hitchcock and his wife Alma Reville during the making of his most famous film “Psycho” – and the trials and tribulations the director faced from Hollywood censors.
While carrying on their usual hi-jinks, they inadvertantly stow-away on a spaceship bound for Mars. They meet up with the local Martian residents and cause them to invade the Earth, aided by the “Invincitron”, a vacuum-wielding giant robot. Tom, Jerry and their Martian ally, Peep, save the day.
A wealthy middle-aged man at the airport witnesses a tiny incident involving an unknown, perhaps Arab, young man and airport staff. After the young man is confronted directly at the airport toilets, he feels himself subject to an indefinable but increasingly serious sense of danger. The fear of the evil that had, as it were, encircled the man since then, gradually becomes an obsession. The urgent desire to see the evil, to confront it and destroy it.
