This second edition of Stone Bench Creations’ anthology of short films contains four shorts with a prelude that are linked by their genre.
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Seth McArdle (Samuel Davis) is a high school senior with an especially full plate. Not only must he navigate the usual social and academic pitfalls of high school, but he has to contend with his young twin sisters, serving as de facto parent in the absence of his deceased mother and deadbeat father. The pressure mounts when the bank calls with a foreclosure warning, and Seth’s frustrations spill over into various altercations with the school football team. An exasperated coach exiles Seth to work after school with Abel the eccentric groundskeeper (Kevin Sorbo). Their relationship starts off cold and rocky, but as the two spend more time together, they realize they have more in common than either thought. The downside: it’s pretty much pain and sadness that they share. The upside: God loves them.
After living for over two centuries, Augusto Pinochet is a vampire ready to die… but the vultures around him won’t let him go without one last bite.
In the middle of this amusing thriller is a relationship between two different types of females, one is a well know British author and the other is a sex-crazed French teen. The two get into some relationship trouble while living together in this film of psychological imagery and an erotic exploration of the female body.
A rule bound head butler’s world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master’s cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.
Once a legendary detective and a new mom, Mi-young, now works a desk job. But when overenthusiastic newbie Ji-hye is assigned to Mi-young’s civil complaints team, the two female cops get caught up in a serious criminal case that triggers an action-filled comedic investigation.
FIVE DANCES, written and directed by Alan Brown, is a creatively adventurous narrative feature film set in the New York ‘downtown’ modern dance world. The story follows the rocky emotional journey of an 18-year old dancer (the amazing Ryan Steele) with talent to burn, who must choose between his responsibility to his broken family in the Midwest, and forging a life and career for himself. The film features five of New York’s most gifted dancers acting on film for the very first time, and performing the choreography of internationally acclaimed choreographer Jonah Bokaer.
After hitting a breaking point, Hannah’s inner thoughts physicalize into a monstrous creature that threatens to upend her life.
Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.
Shot at Bell County Jail in Texas, Ali Siddiq: It’s Bigger Than These Bars shares Ali’s hilarious experiences of both incarceration and freedom. Siddiq talks with jailers and the jailed about life in lockup, and explains why dousing yourself in baby oil and refusing to leave your cell is always a bad idea. Encouraging and inspiring his convict audience, Ali makes hard laughs out of hard time, restoring faith in the power of second chances.
On Skeet’s twelfth birthday his older brother Randy buys him his first surfboard. Suddenly his summer turns to the endless search for the perfect wave, wild times and beach parties and eventually, finding his own daring adventures when Randy’s attention turns to a girl. Beyond his wildest dreams, Skeet is taken under the wings of surfing legend Jim Wesley who gives Skeet first-hand lessons in hot-dogging. Meanwhile, Randy, still dealing with the loss of his father and trying to fill his shoes, is jealous of Jim’s influence on Skeet and isn’t thrilled when Jim begins a relationship with their single mom. Tangled by the conflict between his brother and his newfound father figure, Skeet retreats to his room while longing to surf.
