White-collar worker Yamashita finds out that his wife has a lover visiting her when he’s away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he “befriended” in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn’t let her become close to him.

The courageous young midwife Christine makes a pact with the devil to save her village from the brutal terror of the Teutonic Knights. Punished by a spider plague, Christine goes from savior to hunted.

The story is based on the real events of 1985. The team of a Russian polar icebreaker “Mikhail Gromov” discovered a giant iceberg. The ship came into collision while attempting to take cover from the weather and is forced to drift with ice along the Amundsen Sea coast. The crew of “Gromov” spent 133 days of polar night trying to find a way out of their icy trap. They have no room for mistakes; one wrong move and the vessel is crushed by ice.

Although he’s now eighty years old, Claude Lherminier is still as imposing as he ever was. But his bouts of forgetfulness and confusion are becoming increasingly frequent. Even so, he stubbornly refuses to admit that anything is wrong. Carole, his oldest daughter, wages a daily and taxing battle to ensure that he’s not left on his own. Claude suddenly decides on a whim to go to Florida. What lies behind this sudden trip?

Three stories about the world of opioids collide: a drug trafficker arranges a multi-cartel Fentanyl smuggling operation between Canada and the U.S., an architect recovering from an OxyContin addiction tracks down the truth behind her son’s involvement with narcotics, and a university professor battles unexpected revelations about his research employer, a drug company with deep government influence bringing a new “non-addictive” painkiller to market.

Miguel makes the journey that his grandfather cannot make because he is locked up by his own family. The mission is very simple, go to a funeral and leave an army jacket on the grave of an old man, a friend of his grandfather. Miguel, accompanied by Lola and Guillermo, leaves that island of cement that is the Nazareth neighborhood. He wanders the outskirts of Valencia, looking for a cemetery and faces a deserted city.

Rumania’s entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia’s revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.

A Jewish pawnbroker, a victim of Nazi persecution, loses all faith in his fellow man until he realizes too late the tragedy of his actions.

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A forensic investigator begins to suspect her new husband is the serial killer the police department has been hunting. This puts her and her ex-boyfriend — a detective on the case — in danger.

A troubled young girl gets a job at a modeling school where she is tortured by the voices in her head and the sounds in the walls. Roman Polanski meets Roger Corman in this micro-budget masterpiece made by a group of students under the leadership of veteran actor John Walcutt.

The movie consists of two Feluda stories by Satyajit Ray, Samaddar-er-Chabi and Golokdham Rahashya, shown on either half of the film. It was a tribute to the 50-year anniversary of Feluda and a sequel to Royal Bengal Rahashya (2011).