Avalon is the third in Levinson’s semi-autobiographical series of four “Baltimore Films”: Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life.
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Belgian sleuth Hercule Poirot boards a glamorous river steamer with enough champagne to fill the Nile. But his Egyptian vacation turns into a thrilling search for a murderer when a picture-perfect couple’s idyllic honeymoon is tragically cut short.
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Once the show is over at Bastille Opera’s 6th basement, Professor Turrel and his team open their shop. The service offers the opportunity for couples to say goodbye beautifully: recycling sets, performers and musicians. But tonight, we follow Thibaut’s story: a man who couldn’t say goodbye to his love.
Maciek (35), tricked by his boss, steals his boss’s car and goes on a desperate joyride across. He drives across the interior of Poland, where people are preparing for a celebration of an unspecified anniversary. In the meanwhile, Magda (35), a Town Hall employee in charge of the anniversary events, Highly committed at first, gradually notices all the dirt and corruption around her. At some point, she must choose between her career and integrity, whether she should accept it or risk her career and leave. Finally, on the celebration day, Maciek and Magda finally meet. Will it change anything for them?
James Martin and Carol Wall have plans to elope, but a fight with her father’s solicitor ends in murder committed by an unknown third-party, and Martin is hunted for the crime, knowing the solicitor was alive when he left him. Carol refuses to speak to him, and he escapes on a ship to South Africa. There, he is the victim of an accident that disfigures his face, and he returns to England to clear his name, believing he won’t be recognized. Other than by everybody who knew him, it turns out.
After a band of drunken thugs overruns a small Indian Nation town, killing Minister Goodnight and raping the women folk, Eula Goodnight enlists the aid of Marshal Cogburn to hunt them down and bring her father’s killers to justice.
An aspiring young photographer finds himself caught up in a heady world of money, sex, and privilege when he moves to wealthy Long Island in the summer of 2008.
Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanja at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
Insia Malik is a talented 15-year-old school girl from Baroda whose spirit is ripped because her mother is in a troubled and violent marriage. Of course she still dares to pursue her dream of becoming a singer and she also valiantly attempts to free her mother from her conservative, cold father.
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