The virus came so fast no one had time to prepare. Before the day was over, entire towns were decimated, and large cities became monumental tombs. Left with nothing but fading hope and the will to live, reclusive software consultant Michael (Dexter Fletcher) and temperamental mechanic Carl (Dickon Tolson) lead a small group of survivors into the country in hopes of riding out the coming winter. But now the decaying victims of the plague are reanimating, growing more smart and vicious with each passing day. Now, the only hope for the survival of the human race is Phillip (Carradine), a man who refused to leave the city, and has somehow avoided becoming food for the flesh-eating masses.
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Former Australian Intelligence operative Victoria Dev Ries, lives a quiet life in suburban America where as a single mother she raises her only daughter and trains fighters in her own M.M.A. gym. But when her daughter goes on a camping trip and fails to return, she is forced to go back into action.
Taira is a disaffected youth from a seaside town reveling in violence. Enamored by his strength, Yuya joins his crusade in attacking strangers. Meanwhile, Taira’s brother looks for him.
John, a disillusioned Vietnam War journalist, turns to heroin smuggling. He cons Ray, an equally burnt out veteran into delivering the drugs stateside to his wife. Everything soon falls apart and Ray ends up on the run with John’s wife trying to evade crooked narcotics agents.
Sara’s one of the cool kids… but she’s totally terrified of losing her status. She’d be a lot more secure if she could just win back her super-hot ex, Skyler, but he’s not interested unless they move to the next level… She decides to take the plunge — but something about Skyler changed on his summer trip to Mexico… something in his nards. Sara wakes the next morning only to find that she’s nine-months pregnant. Desperate to keep this under wraps, she turns to the only person she can trust: her nerdy ex-best friend, Hayley. But after a trip to the clinic results in Sara birthing something other-worldly, the girls realize their night is only just getting started…
“The Man Between” is a 1953 British thriller film directed by Carol Reed and starring James Mason, Claire Bloom, Hildegard Knef and Geoffrey Toone. A British woman on a visit to post-war Berlin is caught up in an espionage ring smuggling secrets into and out of the Eastern Bloc.
After 6 years of brutal murders the West Yorkshire Police fear that they may have already interviewed The Ripper and let him back into the world to continue his reign of terror upon the citizens of Yorkshire, but things become more difficult for the Police when they discover they not only have The Ripper to catch, but a copycat killer is also at large. Assistant Chief Constable of the Manchester Police, Peter Hunter, is called in to oversee the West Yorkshire Police’s Ripper investigation, with the help of John Nolan and Helen Marshall, both detectives from the Manchester Police, they decide to go back and look at the crime reports from the Rippers victims to see what they could have missed.
A woman inherits a fortune, causing her husband and his lover to plot her demise by poisoning her. The only trouble is it only places her in a deep coma that resembles death. When an accident occurs in the embalmer’s office he doesn’t complete the embalming process, causing her to be buried alive. Awakening from the grave, she claws her way out and seeks revenge against the two who caused her supposed demise
A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her.
