On a late night visit to an ATM, three co-workers end up in a desperate fight for their lives when they become trapped by an unknown man.
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A drug-treated schizophrenic plagued by horrible nightmares escapes from the hospital and goes on a killing spree.
A group of friends stranded near a desolate cornfield find shelter in an old farmhouse, though they soon discover the dwelling is the center of a supernatural ritual.
A group of eleven recruits, composed entirely of excruciating social stereotypes, and one dorky camp instructor, embark on a weekend-long work retreat in the quasi-wilderness of northern south-east Queensland. Everything goes relatively smoothly, that is to say, lamely, until (you guessed it) one of the group turns out to be a homicidal maniac hell-bent on dispatching the others in a variety of creative ways. Based on the Pulitzer-Prize-winning novel (sic), The Killage is a wacky, fright-filled journey into the darkest recesses of the human intestines. Bring a box of tissues.
Following a car accident, which kills her mother, 17-year-old Ida moves in with her estranged aunt and her aunt’s grown sons. The home is filled with physical tenderness and love, but outside of the home, the family leads a violent and criminal life.
In this story inspired by real characters, three girls from America, Nigeria and India are trafficked through an elaborate global network and enslaved in a Texas brothel, and must together attempt a daring escape to reclaim their freedom.
Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.