Exposing the sexualization and indoctrination of children in the United States

What happens when an industry has too much power? “Greedy Lying Bastards” presents a searing indictment of the influence, deceit and corruption that defines the fossil fuel industry.

“Jews of the Wild West” is a feature-length documentary completed in December 2021. The independent not-for-profit project is produced by Electric Yolk Media and directed by award-winning filmmaker Amanda Kinsey. Through on-camera interviews, compelling footage, and historical photographs, the film tells the positive immigration story and highlights the dynamic contributions Jewish Americans made to shaping the Western United States.

The path to going plant-based has obvious upsides, but can also be isolating and difficult. Shouldn’t there be some middle ground for people looking to make a change without totally upending their lives? Leader of the Reducetarian Movement, Brian Kateman explores this issue through the lens of his own personal decision to reduce eating meat. Grappling with how to sort through conflicting advice, Brian seeks a practical path forward.

Eight years in the making, Jane Castle’s poignant documentary about her filmmaker mother Lilias Fraser is an intimate mother-daughter story and eye-opening chronicle of women’s roles in the film industry.

The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.

Plot 35 is a place that was never mentioned in my family; it is where my elder sister, who died aged three, is buried. The sister about whom I was told nothing, or nearly nothing, and of whom my parents had oddly never kept a single photograph. It was to make up for the missing images that I decided to make this film. Thinking that I would simply chronicle a forgotten life, in fact I opened up the hidden door to a past that I was unaware of, to the subconscious memory that lies inside each of us and who makes us what we are.

Physicist Ted Hall is recruited to join the Manhattan Project as a teenager and goes to Los Alamos with no idea what he’ll be working on. When he learns the true nature of the weapon being designed, he fears the post-war risk of a nuclear holocaust and begins to pass significant information to the Soviet Union.

Follows the lives of four queer masculine-presenting BIPOC – all assigned female at birth – as they challenge conceptions of gender identity while navigating life’s hardships and triumphs.

Swept up in the counterculture revolution of the late-1960s, a wealthy businessman starts a commune in pursuit of a utopian society. But his dreams are thwarted when he and his chosen family are faced with a series of tragedies that threaten their existence.

Hurray, we are living longer. The bad news is pension systems are busting worldwide. With extensive old age poverty as a result. In The Netherlands the system is still solid, though inflation is hitting many pensioners here as well. Your 100-year life shows how even the richest countries have been brought to this point. Yet, there are genuine grounds for hope. It’s not too late yet. Providing we rethink the concept of retirement in general, and of old age, the quality of life as a pensioner and financing it in particular. It will make your hundredth anniversary something to celebrate.

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.