We live at a moment in time when the Israeli-Palestinian conflict, now more than a century old, continues to be of overwhelming international political and societal importance. From its inception, that conflict has also, of course, had powerful and deeply troubling consequences for Israelis and Palestinians themselves. The story at its most basic level is one that involves two peoples struggling for national recognition and expression in a small but richly significant piece of land. The tragedy of this history, as both the Israeli novelist, Amos Oz, and the Palestinian scholar, Sari Nusseibeh, have each pointed out, stems from a conflict between the rights of two peoples with equal and legitimate aspirations to nationhood and self-expression in a single small territory to which they can both lay claim.

25 years after Paris is Burning, we dive back into the fierce world of voguing battles in the Kiki scene of New York City, where competition between Houses demands leadership, painstaking practice, and performances on point. A film collaboration between Kiki gatekeeper, Twiggy Pucci Garçon, and Swedish filmmaker Sara Jordenö, we’re granted exclusive access into this high stakes world, where tough competitions act as a gateway into the daily lives of LGBTQ youth of color in NYC. The new generation of ballroom youth use the motto, “Not About us Without Us”. Twiggy and Sara’s insider-outsider approach to their stories breathes fresh life into the representation of a marginalized community who demand visibility and real political power.

On January 1, 2014, recreational marijuana sales began in Colorado. With all eyes on ground zero of the green rush, The Denver Post became the first major media outlet to embrace it and appointed the world’s first marijuana editor. Legalization is not just an experiment for society, but a risk for the dying industry of newspapers to hedge its bets on the booming business of marijuana. Ricardo Baca sets out to report on history in the making with a team of straight-laced staff writers and fish out of water freelancers in tow for The Cannabist as it unfolds. Policy news, strain reviews, parenting advice and edible recipes are the new norm in the unprecedented world of pot journalism.

50 years after the legendary fest, Barak Goodman’s electric retelling of Woodstock, from the point of view of those who were on the ground, evokes the freedom, passion, community, and joy the three-day music festival created.

Behind the walls of the Compound, LA’s most violent juvenile offenders await their trials. To their advocates, they’re kids. To the system, they’re adults. To their victims, they’re monsters. Who are they to you?

You arrive at a secret location at a precise time, prompted by a mysterious email. You must follow the instructions closely. Once inside, disturbing visions begin. Unspeakable acts befall you—often frightening, sometimes sensual, possibly painful—each stimulating your deepest fears. And when it’s over, you are changed, abandoned, and left wondering what is real and what was merely a game.

Filmed in Amsterdam on the European leg of his 2017 – 2018 Us + Them tour which saw Waters perform to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side of the Moon, The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?

This documentary is a detailed look into the making of PET SEMATARY, one of the most enduring cult-horror classics of our generation.

Taylor Swift takes the stage in Dallas for the Reputation Stadium Tour and celebrates a monumental night of music, memories and visual magic.

Back Issues is the definitive documentary of porn magazine Hustler, from its nightclub inception as it adapts to pornography in the 21st century. Director Michael Lee Nirenberg’s father was was one of the original art directors in the 1970s and 80s. Back Issues is a complete look at the personalities and features that made this the most offensive magazine of all time. The story is told by its publisher as well as the editors, cartoonists, models, attorneys, art directors and cultural figures for the first time ever.

Dark City Beneath The Beat is an audiovisual experience that defines the soundscape of Baltimore city. Inspired by an all original Baltimore club music soundtrack, the film spotlights local club artists, DJs, dancers, producers, and Baltimore’s budding creative community as they are realizing their life dreams. Rhythmic and raw, these stories illustrate the unique characteristics of the city’s landscape and social climate through music, poetry, and dance. From the city’s social climate to its creative LGBTQ community, Dark City Beneath The Beat showcases Baltimore club music as a positive subculture in a city overshadowed by trauma, drugs, and violence.

A materially successful young man, riddled with anxiety embarks on a worldwide journey of self inquiry, uncovering deep truths about who and what he is.