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Mute Hee-Jin is working as a clerk in a fishing resort in the Korean wilderness; selling baits, food and occasionally her body to the fishing tourists. One day she falls in love with Hyun-Shik, who is on the run from the police, and rescues him with a fish hook when he tries to commit suicide.
An unsuspecting family buys a mansion for a bargain but discovers a presence in the home and must fight to save their lives.
On the edge of a crumbling city, 11-year-old Alexander lives in a sequestered commune alongside other children, their mothers, and charismatic leader, Gregori. Gregori teaches the children how to raise livestock, grow vegetables, work as a community – and how to kill. With the birth of a new baby brother weighing on his mind, Alexander begins to question Gregori’s overpowering influence on the children and their training to become assassins. Threatened by his increasing unwillingness to fall in line, Gregori’s behavior turns erratic and adversarial toward the child he once considered a son. With the two set dangerously at odds and the commune’s way of life disintegrating, the residents fear a violent resolution is at hand.
When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.
A tech worker with agoraphobia discovers recorded evidence of a violent crime, but is met with resistance when she tries to report it. Seeking justice, she must do the thing she fears the most: she must leave her apartment.
Suffering amnesia after a mysterious accident, film director Archie Finch pieces together his life with the help of a seeming specter.
As Brian checks into his dorm room, he discovers a thumb drive which includes files of a web cam model interacting with clients. But the last session ends in what may be a murder. He becomes obsessed with unravelling the story, but his quest becomes complicated when he falls in love with his roommate, who is already taken.
As Alyssa and Karla try to escape from the church home that holds them captive, Karla is slaughtered by a vicious, semi-human creature. After Detective Kimball tracks down Alyssa at a rowdy biker bar, she tells Kimball that women inmates disappear every full moon, and shows him the silver bullets in her gun. Now the two must return to the halfway house to confront the priest and nuns—and the snarling, savage evil—that dwell within.
LEMON TREE meets JOHN LE CARRÉ in a subtle thriller set in Germany involving Mona, a Lebanese woman (Golshifteh Farahani), and Naomi, an Israeli Mossad agent (Neta Riskin) sent to protect their informant while recovering from plastic surgery for her new identity. Mona and Naomi – together for two weeks in a quiet apartment in Hamburg. A safe house. A shelter. No one saw what was coming, no one knew that this supposedly quiet fortnight would turn into an abyss and that shelter would need to be found elsewhere. The intimacy of the relationship that develops between the two women is exposed to the threat of terror that is engulfing the world today. In this game of deception, beliefs are questioned and choices are made that are not their own. And yet their fate takes a surprising turn in this suspense-laden, elegant neo-noir.
Follows a group of male hunters who regularly lure women to their island with the chance to win 100K in a hunt, only to discover that they are the hunted, but this time they mess with the wrong girls and must deal with the consequences.
