An “Urban American Graffiti” tale of choices, consequences, redemption and faith all woven into a gritty framework of tested relationships.
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The Book of Job is about a high school student who has trouble separating reality from fiction. Young Job falls “madly in love” with a new girl who catches his eye one Sunday mass. In the midst of his conforming to what he believes to be her idealized standards, he realizes his life is about so much more than simply himself.
During a shaky 24-hour holiday truce amid the Battle of the Bulge, American Captain John Myers and a Belgian farm girl, Alina, fall in love. Forced to separate when fighting resumes, the couple vows to reunite, under a bell tower, the first Christmas Eve after the war ends, if each is alive and eager.
Britt Reid (Seth Rogen), the heir to the largest newspaper fortune in Los Angeles, is a spoiled playboy who has been, thus far, happy to lead an aimless life. After his father (Tom Wilkinson) dies, Britt meets Kato (Jay Chou), a resourceful company employee. Realizing that they have the talent and resources to make something of their lives, Britt and Kato join forces as costumed crime-fighters to bring down the city’s most-powerful criminal, Chudnofsky (Christoph Waltz).
The Comte de Gonzague schemes against his cousin, the Duc de Nevers, even though he is the Duke’s heir and will inherit his estates. The Count has kept secret the existence of the Duke’s bastard, recently born. When the Duke learns of his child, he journeys to wed the mother, a baron’s daughter, in her father’s isolated chateau. The occupants of the castle are surprised and murdered by the Count and his men. The only ones to escape are the Duke’s friend, the skilled swordsman Lagardère, and the infant, a girl, now the rightful heiress to the Duke’s vast fortune. The Count believes the pair to have drowned, when in fact they have been concealed by a travelling troupe of Italian players. Twenty years pass. The Count has discovered that the two survive and seeks to have them slain. But Lagardère gains the confidence of the Count, and employment as his bookkeeper, through his clever disguise as a hunch-back…
Three young women – Deena Jones, Effie White and Lorrell Robinson – dream of becoming pop stars and they get their wish when they’re chosen to be backup singers for the legendary James ‘Thunder’ Early.
The career of screenwriter Dalton Trumbo is halted by a witch hunt in the late 1940s when he defies the anti-communist HUAC committee and is blacklisted.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach (Michael Douglas). After the initial eliminations, seventeen hopefuls remain, among them Cassie (Alyson Reed), who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he’s willing to let professionalism overcome his personal feelings about their past remains to be seen.As the film unfolds, the backstory of each of the dancers is revealed. Some are funny, some ironic, some heartbreaking. No matter what their background, however, they all have one thing in common – a passion for dance.
Millionaire industrialist Steven Taylor is a man who has everything but what he craves most: the love and fidelity of his wife. A hugely successful player in the New York financial world, he considers her to be his most treasured acquisition. But she needs more than simply the role of dazzling accessory.
Professor Genessier is guilt-stricken after his daughter’s face is disfigured in a car accident. He intends to rebuild his daughter’s face via grafting skin tissue; he only needs a supply of donors to experiment on.
A routine investigation of a shocking murder takes a bizarre twist when the killer contacts the reporter and appoints him his personal spokesman. As the killer’s calls and clues increase, the reporter is lured into a deadly trap.
