At the heart of Asees is the story of an endearing mother-son duo. Through their journey, the film paints a poignant portrait of the powerful bond between a mother and her child.
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In Madrid, the orphan sisters Irene, Ana and Maite are raised by their austere aunt Paulina together with their mute and crippled grandmother after the death of their mother and their military father Anselmo. Ana is a melancholic girl, fascinated by death, after seeing her mother having a painful death and her father dead in bed.
The film is inspired by an incredible story of a shepherd dog named Palm who was inadvertently left in the airport by her owner. She befriends nine-year old Nicholas whose mother dies leaving him with a father he barely knows – a pilot who finds the dog at the airport. It’s a story of amazing adventures, true friendship and unconditional love.
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1920, rural Ireland. Anglo-Irish twins Rachel and Edward share a strange existence in their crumbling family estate. Each night, the property becomes the domain of a sinister presence (The Lodgers) which enforces three rules upon the twins: they must be in bed by midnight; they may not permit an outsider past the threshold; and if one attempts to escape, the life of the other is placed in jeopardy. When troubled war veteran Sean returns to the nearby village, he is immediately drawn to the mysterious Rachel, who in turn begins to break the rules set out by The Lodgers. The consequences pull Rachel into a deadly confrontation with her brother – and with the curse that haunts them.
High school student Izumi Kawashima, whose daily routine is rating newspaper articles, finds a wallet containing a large sum of cash. Instead of returning the wallet to its owner, Izumi decides to lend a substantial portion of the money to a middle-aged male acquaintance. She eventually returns the wallet to its owner, a wealthy high-school boy named Koki, who notices the missing money, and as compensation, asks Izumi to do something for his friend – to create a newspaper that brings happiness to its reader.
Porter Wren is a Manhattan tabloid writer with an appetite for scandal. On the beat he sells murder, tragedy, and anything that passes for the truth. At home, he is a dedicated husband and father. But when Caroline, a seductive stranger asks him to dig into the unsolved murder of her filmmaker husband Simon, he is drawn into a very nasty case of sexual obsession and blackmail–one that threatens his job, his marriage, and his life.
The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka – a despised woman and a worshiped singer.
Amidst rising anti-Semitism in Billings, Montana, Rae, a 22 year-old descendant of Holocaust survivors uncovers the truth about a childhood accident.
As two evil sisters prepare to conquer the land, two renegades—Eric the Huntsman, who aided Snow White in defeating Ravenna in Snowwhite and the Huntsman, and his forbidden lover, Sara—set out to stop them.
When Fred gets out of prison, he decides to start over in Miami, where he starts a violent one-man crime wave. He soon meets up with amiable college student Susie. Opposing Fred is Sgt Hoke Moseley, a cop who is getting a bit old for the job, especially since the job of cop in 1980’s Miami is getting crazier all the time.
