A story of a man who fakes his own death and assumes a new identity in order to escape his life, who then moves in with a woman who is also trying to leave her past behind.
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Satoshi loses his eyesight completely at the age of 9 despite numerous surgeries, but grows up with cheerful spirit thanks to his mother Reiko’s unconditional love. Surrounded by affection and friendship at high school, Satoshi’s future seems bright until one day his family realizes that he is losing his hearing as well. Determined to never give up, Reiko tries everything she can to give him hope.
Lorenzo is a teenager who lives in Patagonia. One day his family receives in his house to Caíto, the son of some friends who are going through a serious family situation and can not take care of him. He is a complicated kid and has difficulty adapting to the new home. Despite the differences, a unique friendship arises between them. Each has much to learn from the other. Caito, still with his things, has that share of rebellion that Lorenzo needs to break the strict molds in his head and to let his most repressed instincts and passions flow. Home life becomes chaotic but vital and engaging. Caíto is much more than a troublesome boy: he is someone who forces Lorenzo’s parents to reopen a dark chapter of their past that they would rather not remember.
Malcolm (Josh Helman, MAD MAX: FURY ROAD) is thrust into depression after his wife, Sarah (Yael Stone, “Orange is the New Black”), tragically dies. When he meets someone new, Nya (Jennifer Allcott, Slamdance winner KATE CAN’T SWIM), one year later, he finally allows himself to give over to new love. And that’s when he starts seeing his deceased wife, speaking to him about how abandoned she feels, terrorizing him at every turn. Every time he sees her, debilitating headaches cripple him, as well as doubts about his sanity. With the help of his sister-in-law, Dee (Broadway’s Yvonne Cone), and his mentor, Jim (Paul Sorvino, GOODFELLAS), he must reconcile his past with his present in order to forgive himself, mourn properly, hang onto his new love – and not lose his mind in the process.
A young soldier faces profound disillusionment in the soul-destroying horror of World War I. Together with several other young German soldiers, he experiences the horrors of war, such evil of which he had not conceived of when signing up to fight. They eventually become sad, tormented, and confused of their purpose.
Follows a young Toronto man whose life is utterly transformed during a journey to his birthplace of Smokey Mountain, one of The Philippines’ most notorious slums.
A adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the “concerned friend” gag as a way to hide out from the police.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Facing the possibility of prison – and in search of an idealized freedom – 3 siblings take matters in to their own hands with a cross country crime spree of epic proportions.
Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay’s wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.
