A treasure hunter finds a sunken Spanish galleon off the coast of a Philippine island. What he doesn’t know is that the ship is guarded by the spirit of an ancient Moro princess

Newly released from a mental ward, Jessica hopes to return to life the way it was before her nervous breakdown. But when Jessica moves to a country house with her husband and a close friend, she finds a mysterious girl living in there. Jessica’s terror and paranoia resurface as evil forces surround her.

Two women escaping a catastrophe look for salvation in sound and nature.

Enjoying college life as a popular student, Laura shares everything with her more than 800 friends on Facebook. But one day, after accepting a friend request from a social outcast named Marina, Laura’s life is cursed…

Henry James’ classic tale of terror The Turn of the Screw receives yet another screen adaptation in this thriller shot in Spain. A young woman (Sadie Frost) is hired to serve as a governess for two children, Miles and Flora (Nilo Mur and Ella Jones). She is hired by their uncle, the Master (Harvey Keitel), who became the guardian of the youngsters after the death of their parents. While the governess is initially enthusiastic about her job, Miles and Flora soon prove to be quite a handful, and the housekeeper Mrs. Grose (Lauren Bacall), who oversees most of the activities at the Master’s estate, is openly antagonistic to her. Before long, the governess discovers the house bears a dark secret involving Miss Jessel (Dayne Danika), the previous governess, and Fosc (Agusti Villaronga), the Master’s former valet. El Celo was the first feature from director Antoni Aloy.

A private investigator is hired to track down a missing girl on the run from a mysterious Silicon Valley corporation.

A horrifying story of a shaman’s inheritance in the Isan region of Thailand. But the goddess that appears to have taken possession of a family member turns out not be as benevolent as it first appears.

Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.

When art student Kangsheng returns to his remote hometown village with his classmates to search of ancient murals, they are witness to a fatal car accident. Kangsheng’s girlfriend Wangzhi unintentionally interrupts the local witchcraft ritual for the deceased. Horrified, the group flee the scene and settle at the inn owned by Kangsheng’s mother. The following day, out searching for murals, the group find instead a mysterious hand-painted sign in a cave. The surprises are only beginning.

In the autobiographical I AM NANCY, the focus is squarely on Heather Langenkamp and her unique experience playing Wes Craven’s legendary teen heroine Nancy Thompson. With tongue planted firmly in cheek, Heather asks the burning question: “Why Freddymania, and not Nancymania?” After personally experiencing the Freddy Krueger marketing craze, the rise of horror convention fandom and the phenomenon of eight Nightmare On Elm Street films, Heather reflects on the relevance of heroes in this modern age of monster lovers. Prepare to put yourself in Nancy’s shoes and think about Elm Street in a whole new way.

Determined to pull in the Pulitzer Prize, reporter Johnny Barrett will go to any length necessary to win the coveted award. When he learns of an unsolved murder committed at a mental institution, Barrett devises a scheme to solve it and earn himself recognition. With the assistance of a psychiatrist and his girlfriend, Barrett convinces the doctors at the institution to commit him. Once inside, he begins his investigation — and gradually loses his mind.

Barbara O’Brien, an Irish Catholic mother, has her life turned upside-down when her son, a freshman in college, is involved in a tragic hazing incident. Taking justice into her own hands, she travels across the country recording mothers who have lost sons to hazing in an effort to prove the university’s liability. When she is confronted by corruption and cover ups, she seeks revenge on the one person she finds truly responsible, proving that hell hath no fury like a mother scorned.