Roberto Benigni adapts the classic children’s tale by Carlo Collodi for the big-budget family-oriented comedy Pinocchio.

A young woman despite the best intentions, heedlessly meddles in people’s romantic affairs as she tries to play matchmaker.

Jimmy Carr refutes the idea that one can’t joke about anything these days with his edgy takes on gun control, religion, cancel culture, and consent.

The real-life Chris and Martin introduce each Wild Kratts episode with a live action segment that imagines what it would be like to experience a never- before-seen wildlife moment, and asks, ‘What if…?’

Short film taking place during the events of Despicable Me 3 (2017).

For years Yellowbeard had looted the Spanish Main, making men eat their lips and swallow their hearts. Caught and convicted for tax evasion, he’s sentenced to 20 years in St. Victim’s Prison for the Extremely Naughty. In a scheme to confiscate his fabulous treasure, the Royal Navy allows him to escape and follows him, where saucy tarts, lisping demigods and some awful puns and punishments await.

When a man is eaten alive by an unknown creature, the local Game Warden teams up with a paleontologist from New York to find the beast. Add to the mix an eccentric philanthropist with a penchant for “Crocs”, and here we go! This quiet, remote lake is suddenly the focus of an intense search for a crocodile with a taste for live animals…and people!

Self-described misanthrope Elle Reid has her protective bubble burst when her 18-year-old granddaughter, Sage, shows up needing help. The two of them go on a day-long journey that causes Elle to come to terms with her past and Sage to confront her future.

Sequel to the indie hit, “Once I Was a Beehive” and set about two years after that film took place. The young women and their leaders have grown up (some more than others), and Bree Carrington’s surprise engagement and the whirlwind of wedding planning brings them all back together – with hilarious and touching results.

A homeless man wanders the lands in search of revenge for the murder of his son at the hands of an unknown gang. Upon arriving in a new town he finds himself trapped in a city drowning in chaos, its people firmly in the grasp of a ruthless crime boss peddling the mind-bending drug, “El Ultimo Aire.” This man is a legend, a hit man, the killer of killers and the people call him “Toro Loco.” He fights punks, crack-heads and tough guys with his trademark shooter, a Smith & Wesson 34-1, but you take that away from him and it doesn’t matter. Toro Loco has another deadly weapon: his hands! Toro Loco is here and the first to die are the fucking lucky ones!

Conrad and Sally Walden are home alone with their pet fish. It is raining outside, and there is nothing to do. Until The Cat in the Hat walks in the front door. He introduces them to their imagination, and at first it’s all fun and games, until things get out of hand, and The Cat must go, go, go, before their parents get back.

If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.