One morning it is over. For Hampus it is a relief to break up from their destructive relationship, while Adrian is devastated. Will he be able to survive without the love of his life, or is there a way of somehow getting him back?
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A grumpy old sailor wants only to finish building his boat so he can set out to sea. But from local officals to troubled fosters kid, the world keeps intervening to test his determination to make something of his golden years.
Izumi (Kento Hayashi) was abandoned by his parents. He now commits burglary, targeting women and the elderly. He is chased by the cops. While on the run, in the mountains of Miyazaki Prefecture, he helps an injured elderly woman, Suma (Etsuko Ichihara). Izumi then stays at Suma’s home. At first, Izumi keeps an eye for money that he can steal. The people though in the village think Izumi is Suma’s grandson and take care of him. A change takes place in Izumi.
The conscientious beauty editor of a women’s magazine persuades an up-and-coming photographer to pretend to be her boyfriend when her ex (who is also her boss) gets engaged to somebody else. Whilst working together to shake up the magazine’s waning reputation, the photographer brings out the fun-loving part of her she’d forgotten existed – but isn’t developing real feelings for each other against the rules.
Yuji and Kosaku become involved with a brother and sister who want to drive a local yakuza gang member out of their neighborhood.
Viorel, a quiet, upright tractor driver from a small town in west Romania meets Mocanu, a high profile politician campaigning for a seat in the European Parliament. Mocanu’s car has broken down nearby and Viorel and his wife welcome the politician into their humble home. Under investigation for corruption, Mocanu sees an opportunity and decides to stay with this modest family during the rest of the campaign, winning people’s hearts by posing as a common man next to his “old friend”, the honest, hard-working farmer. In return, Viorel will get a new tractor.
Years after witnessing the death of the revered hero Maximus at the hands of his uncle, Lucius is forced to enter the Colosseum after his home is conquered by the tyrannical Emperors who now lead Rome with an iron fist. With rage in his heart and the future of the Empire at stake, Lucius must look to his past to find strength and honor to return the glory of Rome to its people.
Following a brawl, Captain Ignat, who is traumatised by the death of his daughter, is ordered together with a regular soldier to find a deserter and bring him back via Moscow to stand before a military court. Although they locate the young soldier, their journey across the wintry moloch that is Moscow is slow and tortuous. Before long, the unlikely trio find themselves drawn into a chaotic maelstrom of violence, corruption, criminality, degradation and squalidness. In the face of the monstrous malaise and everyday horror of life in Russia, the gradual breakdown of the film’s anti-hero becomes a metaphor for Russian society.
Turner Prize-nominee and Deutsche Börse Prize-winner, Richard Billingham returns to the subject of the striking photographs that he captured of his family during Thatcher era Britain in this drama recounting his childhood in a Birmingham council flat.
A Mexican master leads a Christ figure and other disciples to a mountain of immortal wise men. The scandal of the 1973 Cannes Film Festival, writer/director Alejandro Jodorowsky’s flood of sacrilegious imagery and existential symbolism in The Holy Mountain is a spiritual quest for enlightenment pitting illusion against truth. The Alchemist (Jodorowsky) assembles together a group of people from all walks of life to represent the planets in the solar system. The occult adept’s intention is to put his recruits through strange mystical rites and divest them of their worldly baggage before embarking on a trip to Lotus Island. There they ascend the Holy Mountain to displace the immortal gods who secretly rule the universe.
