Explores the meaning of fame and influence in the digital age through an innovative social experiment. Following three Los Angeles-based people with relatively small followings, the film explores the attempts made to turn them into famous influencers by purchasing fake followers and bots to “engage” with their social media accounts.

Filmed during the release of the much anticipated 2021 UAP report, The Observers is a mind altering timely comprehensive conversation that plumbs the depths of the UFO phenomenon and asks the hard questions at the heart of this global enigma.

A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.

It’s 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the “Rumble in the Jungle” is set, including a musical festival featuring some of America’s top black performers, like James Brown and B.B. King.

When Princess Diana’s life was cut short by a tragic car accident, the entire world mourned her loss. Now, 20 years after her death, Princess Diana: Tragedy of Treason? sheds light on the life and death of one of history’s most beloved figures.

“Bite Size” follows the year long journey of four children struggling with obesity.

A film portrait of Argentinian pianist Margarita Fernández. Medium makes her visible as a mediator, building bridges between past and present, different generations, scores and music, sounds and images, her own art and that of cinema.

Who was Joe D’Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

In 1996, Cuban bandleader Juan de Marcos Gonzalez, British producer Nick Gold, and American guitarist Ry Cooder convened in Havana to produce a Cuban-Malian collaboration. When the Malians couldn’t get visas, the team turned their attention to reviving a forgotten generation of legendary son cubano musicians and formed an on-the-fly ensemble: the Buena Vista Social Club. Two decades since that fateful first session, we catch up to these master musicians, as they reflect on the magical unfolding of their lives—from humble origins to the evolution and surprising revival of their careers, all against the backdrop of Cuba’s dramatic history. Brimming with unseen concert, rehearsal, and archival footage, this film is an emotional, shimmering celebration of music’s power to transcend age, ideologies, and class, and to connect us to each other through our souls.

Filmed over five years, this documentary charts the progress of several veterans dealing with post-traumatic stress disorder at a California clinic.

Part two of a two-part portrait of the great Jazz composer and pianist. On his European tour his quartet was joined by Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin. They traveled as part of George Wein’s Newport Jazz Festival road company to London, Stockholm, Copenhagen, Berlin, Mainz, and Rotterdam.

She drives a pickup truck, loves sports and has an absolutely knockout body. Could Tiffany Fallon be any more perfect? The answer is yes, because she can add the title of 2005 Playmate of the Year to her ample list of attributes! In this erotic video collection, the sexy brunette shows off her Southern accents in a way that’ll have you whistling Dixie with delight!