When Danish filmmaker Lea Glob first portrayed Apolonia Sokol in 2009, she appeared to be leading a storybook life. The talented Apolonia was born in an underground theater in Paris and grew up in an artists’ community—the ultimate bohemian existence. In her 20s, she studied at the Beaux-Arts de Paris, one of the most prestigious art academies in Europe. Over the years, Lea Glob kept returning to film the charismatic Apolonia and a special bond developed between the two young women.
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The Voice of the Martyrs presents the inspiring new movie Tortured for Christ, a cinematic retelling of the testimony of VOM founder Pastor Richard Wurmbrand as written in his international bestseller Tortured for Christ. This movie was produced to honor the 50th anniversary of the book’s 1967 release. Filmed entirely in Romania, including in the very prison where Pastor Wurmbrand endured torture and solitary confinement, this powerful film uniquely presents the story with live action rather than interviews. The dialogue is presented in English, Romanian and Russian (with English subtitles) to hold to the authenticity of this true story.
The profound story of Lucy Temerlin, a female chimpanzee raised as human from birth in a domestic environment, and Janis Carter, the woman who took on the seemingly impossible task of giving her a new life in the wild.
The Shannon is Ireland’s greatest geographical landmark and longest river. It is both a barrier and highway, a silver ribbon holding back the rugged landscapes of the west from the gentler plains to the east. On its journey south, the Shannon passes through a huge palette of rural landscapes, where on little-known backwaters, Ireland’s wild animals and plants still thrive as almost nowhere else. For a year, wildlife cameraman Colin Stafford-Johnson lives on the river, camping on its banks, exploring its countless tributaries in a traditional canoe, following the river from dawn to dusk through the four seasons, on a quest to film the natural history of the Shannon as it has never been seen or heard or experienced before.
In 1818, Mary Shelley wrote “Frankenstein; or, The Modern Prometheus,” a powerful and timelessness novel which eternal theme is nothing other than man’s quest for the secret of life. Since then, the Creature became a pop culture icon, overshadowing the novel and Doctor Frankenstein himself.
The suspenseful chronicle of how the prodigious Polish violinist Bronislaw Huberman helped save Europe’s premiere Jewish musicians from obliteration by the Nazis during World War II. In three years, he transformed from a world renowned violinist to a humanitarian racing against time.
Nick Koenig, aka Hot Sugar, is in a hot mess. Considered a modern-day Mozart, the young electronic musician/producer records sounds from everyday life—from hanging up payphone receivers to Hurricane Sandy rain—and chops, loops and samples them into Grammy Award–nominated beats. He’s living the life every musician dreams of, complete with an internet-phenom girlfriend, rapper/singer “Kitty.” But when she dumps him, Hot Sugar is set adrift. Fleeing to Paris, he tries to regroup, searching for new sounds and a sense of self. Filmmaker Adam Lough mixes scenes of Hot Sugar at work on his vintage recording devices with surprising soul-searching reflections he offers to the camera. As tweets and posts about the broken couple blow up on the internet, Hot Sugar’s road trip presses onward, revealing even more exotic layers of the man and his music. Fun and flash, this lyrical journey offers audiences a fascinating peek into a modern artist’s creative process.
Kirk Cameron hosts a “family meeting” to discuss unity in a time when political, racial, economic, and religious tensions are increasing every day.
Vika, who is 84, is one of the eldest DJs in the world. Because of her attitude, she is far from any stereotypes about senior citizens. Bittersweet documentary musical about consistence in following your own path and fighting for your dreams.
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Christine Collins is overjoyed when her kidnapped son is brought back home. But when Christine suspects that the boy returned to her isn’t her child, the police captain has her committed to an asylum.
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